<\/p>\n
\u00c7atal H\u00f6y\u00fck\u2019 te bulunan 8500 y\u0131ll\u0131k ana tanr\u0131\u00e7a fig\u00fcr\u00fc, tarih boyunca an\u0131lan ana tanr\u0131\u00e7a k\u00fclt\u00fcn\u00fcn bir uzant\u0131s\u0131 ya da Anadolu\u2019daki versiyonu\u2026<\/p>\n
Antik \u00e7a\u011fda, Yunan Mitolojisindeki Zeus\u2019u do\u011furan \u2018Ulu Ana Rhea\u2019 i\u00e7in t\u00f6renler yap\u0131l\u0131r, kurbanlar kesilirdi. Anadolu mitolojisindeyse ana tanr\u0131\u00e7a k\u00fclt\u00fcn\u00fcn egemenli\u011fi vard\u0131. O \u00e7a\u011flarda Kibele k\u00fclt\u00fc, Anadolu\u2019nun Ana Tanr\u0131\u00e7alar diyar\u0131 olmas\u0131na neden oldu. Bu nedenle de daha pek \u00e7ok fig\u00fcr\u00fcn bulunmas\u0131 m\u00fcmk\u00fcn\u2026<\/p>\n
Sekizinci ve alt\u0131nc\u0131 bin y\u0131llar aras\u0131nda bu k\u00fclt en \u00e7ok Orta Do\u011fu\u2019da yayg\u0131nd\u0131. Anadolu s\u00f6zc\u00fc\u011f\u00fc bat\u0131 dillerinde,\u00a0 \u2018G\u00fcne\u015fin Do\u011fdu\u011fu Yer\u2019 anlam\u0131na gelen ANATOL\u0130A veya ANATOL\u0130E olarak ifade edilirdi. Uygarl\u0131k g\u00fcne\u015finin do\u011fdu\u011fu yer olma unvan\u0131n\u0131 ta\u015f\u0131yan Anadolu, mitolojisinde de Ana tanr\u0131\u00e7a Kibele k\u00fclt\u00fcne \u00e7ok \u00f6nem vermi\u015ftir.<\/p>\n
Antik \u00e7a\u011fdan bu yana ana tanr\u0131\u00e7alar\u0131n hepsi bolluk, bereket ve \u00fcretkenli\u011fin sembol\u00fc kabul edildi ve \u00e7ok \u00e7e\u015fitli isimler ald\u0131. Yunan mitolojisinde \u00f6nce Gaia sonra Rea,\u00a0 Hera, Demeter, Artemis olarak adland\u0131r\u0131ld\u0131. M\u0131s\u0131r\u2019da \u0130sis, Babil ve Hitit\u2019te Kibele-\u0130\u015ftar, Hindularda da Kali ya da Parvati olarak an\u0131ld\u0131. S\u00fcmer mitolojisindeki ad\u0131 ise \u0130nanna.. Eski \u00e7a\u011f toplumlar\u0131nda kad\u0131n kutsald\u0131 ve ana tanr\u0131\u00e7a simgesi \u00e7ok \u00f6nemliydi<\/p>\n
S\u00fcmer’de Kad\u0131n Kutsall\u0131\u011f\u0131<\/strong><\/span><\/p>\n \u00c7iviyaz\u0131l\u0131 belgelerin bulunmaya ba\u015flad\u0131\u011f\u0131 ge\u00e7en y\u00fczy\u0131ldan beri Mezopotamya’da A\u015fk Tanr\u0131\u00e7as\u0131 \u0130nanna ve \u00c7oban Tanr\u0131s\u0131 Dumuzi (Tevrat’ta Astarte-Tammuz) ile ilgili bir bereket k\u00fclt\u00fcn\u00fcn varl\u0131\u011f\u0131 biliniyordu. Fakat bunu her y\u00f6n\u00fc ile kan\u0131tlayacak belgeler yay\u0131mlanm\u0131\u015f de\u011fildi. Ancak, bu y\u00fczy\u0131l\u0131n ortalar\u0131na do\u011fru S\u00fcmer edebiyat\u0131na ait belgeler saptan\u0131p yay\u0131mlanmaya ba\u015fland\u0131ktan sonra bu k\u00fclt ve bu k\u00fclt\u00fcn esas\u0131n\u0131 olu\u015fturan kutsal evlenme t\u00f6reni konusu a\u00e7\u0131kl\u0131\u011fa kavu\u015ftu.<\/p>\n S\u00fcmer edebiyat\u0131na ait tabletlerin en b\u00fcy\u00fck k\u0131sm\u0131 1887-1890 y\u0131llar\u0131 aras\u0131nda ABD’de,\u00a0 Philadelphia \u00dcniversite M\u00fczesi taraf\u0131ndan, G\u00fcney Mezopotamya’da eski bir din ve k\u00fclt\u00fcr merkezi olarak y\u00fczlerce y\u0131l varl\u0131\u011f\u0131n\u0131 koruyan Nippur (yeni ad\u0131 Nif-fer) \u015fehri kaz\u0131lar\u0131nda bulunmu\u015ftur. Bu tabletler, o g\u00fcnk\u00fc m\u00fczeler nizamnamesine g\u00f6re, \u0130stanbul Arkeoloji M\u00fczeleri’yle kaz\u0131y\u0131 yapan kurum aras\u0131nda geli\u015fig\u00fczel payla\u015f\u0131lm\u0131\u015ft\u0131.<\/p>\n Ba\u015fka yerlerden \u00e7\u0131km\u0131\u015f veya ka\u00e7ak olarak elde edilmi\u015f bir k\u0131s\u0131m tab\u00adletler de Avrupa ve Amerika m\u00fczelerine da\u011f\u0131lm\u0131\u015ft\u0131r ki, hepsinin toplam be\u015f bin adet oldu\u011fu tahmin edilmektedir. Bunlar\u0131n hemen hemen \u00fc\u00e7te biri \u0130stanbul Arkeoloji M\u00fczeleri’nin \u00c7iviyaz\u0131l\u0131 Belgeler Ar\u015fivi’nde bulunuyor. Efsaneler, destanlar, ilahiler, a\u011f\u0131tlar, mersiyeler, a\u015fk \u015fiirleri, atas\u00f6zleri, hik\u00e2yeler ve bilgelik kompozisyonlar\u0131ndan olu\u015fan S\u00fcmer edebiyat\u0131n\u0131n, dolay\u0131s\u0131yla bereket k\u00fclt\u00fcn\u00fc olu\u015fturan kutsal evlenme metinlerinin g\u00fcn \u0131\u015f\u0131\u011f\u0131na \u00e7\u0131kmas\u0131nda en b\u00fcy\u00fck rol\u00fc Prof. Samuel Noah Kramer (25 Kas\u0131m 1990’da, 93 ya\u015f\u0131nda \u00f6ld\u00fc) oynam\u0131\u015ft\u0131r.<\/p>\n O tam 60 y\u0131l \u00e7iviyaz\u0131l\u0131 tabletler bulunan Avrupa, Amerika m\u00fczelerini ziyaret ederek, S\u00fcmer edebiyat\u0131na ait tabletleri ve konular\u0131n\u0131 saptam\u0131\u015f, b\u00fcy\u00fck bir bilim c\u00f6mertli\u011fi ve yard\u0131mseverli\u011fiyle isteyen m\u00fcze uzmanlar\u0131n\u0131 da \u00e7al\u0131\u015fmalar\u0131na katarak, ara\u015ft\u0131rmalar\u0131n\u0131 evrenselle\u015ftirmi\u015ftir. B\u00fct\u00fcn bu \u00e7al\u0131\u015fmalar\u0131n sonucu, y\u00fczlerce tabletin kopyas\u0131 yap\u0131lm\u0131\u015f, ayn\u0131 metne ait di\u011fer m\u00fczelere da\u011f\u0131lm\u0131\u015f par\u00e7alar bulunarak konular t\u00fcm\u00fcyle ortaya \u00e7\u0131kar\u0131lm\u0131\u015f ve \u00e7e\u015fitli yay\u0131nlarla<\/p>\n S\u00fcmerologlara, bilim tarih\u00e7ilerine, antropologlara kaynak olarak sunulmu\u015ftur. S\u00fcmer edebi metinlerinin yay\u0131mlanmas\u0131nda en b\u00fcy\u00fck katk\u0131 \u0130stanbul Arkeoloji M\u00fczeleri \u00c7iviyaz\u0131l\u0131 Belgeler Ar\u015fivi’nden yap\u0131lm\u0131\u015ft\u0131r. Orada bulunan S\u00fcmer edebiyat\u0131na ait 1400 tablet, \u00e7ok k\u00fc\u00e7\u00fck par\u00e7alar d\u0131\u015f\u0131nda, Samuel Noah Kramer, Hatice K\u0131z\u0131lyay ve Muazzez \u00c7\u0131\u011f taraf\u0131ndan kopya edilerek yay\u0131mlanm\u0131\u015ft\u0131r.<\/p>\n A\u015eK TANRI\u00c7ASI \u0130NANNA VE KUTSAL EVLENME \u00d6YK\u00dcS\u00dcN\u00dcN \u00d6ZET\u0130<\/strong><\/span><\/p>\n S\u00fcmer \u015fairlerine g\u00f6re Tanr\u0131\u00e7a \u0130nanna, toplumun s\u00fcs\u00fc, S\u00fcmer’in ne\u015fesidir. Ay Tanr\u0131s\u0131 Nanna’n\u0131n k\u0131z\u0131d\u0131r. Akad’larda \u0130\u015ftar, Musevilerde Astarte, Yunanda Afrodit, Roma’da Ven\u00fcs ad\u0131n\u0131 ta\u015f\u0131yarak y\u00fczy\u0131llar boyu \u00e7e\u015fitli toplumlar\u0131n efsanelerinde ya\u015fam\u0131\u015ft\u0131r. Ven\u00fcs y\u0131ld\u0131z\u0131n\u0131 temsil etmektedir.<\/p>\n \u0130nanna’y\u0131 S\u00fcmerliler yaratt\u0131. Kad\u0131nlarda izledikleri, g\u00f6rmek istedikleri b\u00fct\u00fcn nitelikleri, onun \u015fahs\u0131nda toplam\u0131\u015flar, onu y\u00fcceltmi\u015f, ona tapm\u0131\u015f ve hakk\u0131nda y\u0131\u011f\u0131nlarla \u015fiir, hik\u00e2ye yazarak \u00f6l\u00fcms\u00fczle\u015ftirmi\u015flerdir. O, g\u00fczelli\u011fin, \u015fuhlu\u011fun, \u00e7ekicili\u011fin, \u015fefkatin, h\u0131rs\u0131n, kavgan\u0131n, \u00f6nderli\u011fin, kurnazl\u0131\u011f\u0131n ve en \u00f6nemlisi bereketin ve \u00e7o\u011falman\u0131n sembol\u00fc olmu\u015ftur.<\/p>\n \u00d6yk\u00fclerinde Kabil ile Kain’in tart\u0131\u015fmas\u0131n\u0131, Leyla ile Mecnun’un sevgisini, \u00e7obanlar\u0131n eri\u015filmesi g\u00fc\u00e7 a\u015fklar\u0131n\u0131, kad\u0131n\u0131n fettanl\u0131\u011f\u0131n\u0131, insafs\u0131zl\u0131\u011f\u0131n\u0131, erke\u011fin hayranl\u0131\u011f\u0131n\u0131, umursamazl\u0131\u011f\u0131n\u0131, karde\u015f sevgisinin en y\u00fccesini g\u00f6r\u00fcyoruz. \u0130nanna g\u00f6\u011fe, yere egemendi.<\/p>\n Tanr\u0131lar\u0131n en \u00fcst\u00fcn\u00fc Enlil’e istedi\u011fini yapt\u0131rmay\u0131, en ak\u0131ll\u0131s\u0131 Enki’yi aldatmay\u0131 ba\u015farm\u0131\u015ft\u0131r. \u0130nsanlara, do\u011faya yenilenme, \u00e7o\u011falma g\u00fcc\u00fc vermi\u015f, ad\u0131na yap\u0131lan tap\u0131naklarda, onun yerine cinsellik g\u00f6revi yapmak i\u00e7in S\u00fcmer’in en sayg\u0131n kad\u0131nlar\u0131 yar\u0131\u015fm\u0131\u015flard\u0131. S\u00fcmer \u015fairlerine, ozanlar\u0131na bitmez, t\u00fckenmez bir ilham kayna\u011f\u0131 olmu\u015f, onun i\u00e7in yaz\u0131lan \u00f6yk\u00fcler, \u00e7iviyaz\u0131s\u0131yla \u00f6lmez kilden tabletler \u00fczerine yaz\u0131larak zaman\u0131m\u0131za kadar ula\u015fm\u0131\u015ft\u0131r.<\/p>\n Ruhu ok\u015fayan arp ile<\/p>\n Kalbi ne\u015felendiren \u015fark\u0131lar\u0131 s\u00f6yleyelim:<\/p>\n Birle\u015fince Tanr\u0131\u00e7am\u0131z, Tanr\u0131m\u0131z<\/p>\n Bereket bolluk gelir \u00fclkeye,<\/p>\n A\u011f\u0131llar, ambarlar ta\u015far,<\/p>\n Her tarafta \u015fenlik var.<\/p>\n Ey S\u00fcmer halk\u0131!<\/p>\n Yeni y\u0131l geldi diye<\/p>\n \u00c7alal\u0131m s\u00f6yleyelim<\/p>\n Oynayal\u0131m g\u00fclelim.<\/p>\n Dualarla, \u015fark\u0131larla<\/p>\n Bar\u0131\u015f ve mutluluk dileyelim…<\/p>\n Kaynak:<\/strong> Astroset<\/p>\n <\/p>\n","protected":false},"excerpt":{"rendered":" \u00c7atal H\u00f6y\u00fck\u2019 te bulunan 8500 y\u0131ll\u0131k ana tanr\u0131\u00e7a fig\u00fcr\u00fc, tarih boyunca an\u0131lan ana tanr\u0131\u00e7a k\u00fclt\u00fcn\u00fcn bir uzant\u0131s\u0131 ya da Anadolu\u2019daki versiyonu\u2026 Antik \u00e7a\u011fda, Yunan Mitolojisindeki Zeus\u2019u do\u011furan \u2018Ulu Ana Rhea\u2019 i\u00e7in t\u00f6renler yap\u0131l\u0131r, kurbanlar kesilirdi. Anadolu mitolojisindeyse ana tanr\u0131\u00e7a k\u00fclt\u00fcn\u00fcn egemenli\u011fi vard\u0131. O \u00e7a\u011flarda Kibele k\u00fclt\u00fc, Anadolu\u2019nun Ana Tanr\u0131\u00e7alar diyar\u0131 olmas\u0131na neden oldu. Bu …<\/p>\n","protected":false},"author":1,"featured_media":1194,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-1193","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gizemli-arkeolojik-tarih"],"_links":{"self":[{"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/posts\/1193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/comments?post=1193"}],"version-history":[{"count":4,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/posts\/1193\/revisions"}],"predecessor-version":[{"id":3714,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/posts\/1193\/revisions\/3714"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/media\/1194"}],"wp:attachment":[{"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/media?parent=1193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/categories?post=1193"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/tags?post=1193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}