<\/p>\n
El sembol\u00fc, genel olarak tezah\u00fcr\u00fcn, icran\u0131n, uygulaman\u0131n, g\u00fcc\u00fcn, tesir aktar\u0131m\u0131n\u0131n, h\u00e2kimiyetin ve otoritenin sembol\u00fc olarak kabul edilir.<\/p>\n
Paleolitik ma\u011fara resimlerinde \u015fu an hala el fig\u00fcrlerine rastlan\u0131yor. El sembol\u00fc pek \u00e7ok anlama sahiptir ve ayr\u0131ca negatif veya pozitif kutuplar\u0131 da i\u00e7erebilir. El ile temas \u201cB\u00fcy\u00fcl\u00fc Dokunu\u015f\u201du sembolize eder. El vermek kutsamay\u0131 ve bir ki\u015finin ya da y\u00fcksek bir varl\u0131\u011f\u0131n dokundu\u011fu ki\u015fiye kendi g\u00fcc\u00fcnden ba\u011f\u0131\u015flamas\u0131n\u0131 sembolize eder.<\/p>\n
Kadim zamanlarda Krallar\u0131n hastalar\u0131 basit bir dokunu\u015fla iyile\u015ftirebildiklerine inan\u0131l\u0131rd\u0131. Kald\u0131r\u0131lm\u0131\u015f iki el g\u00f6ky\u00fcz\u00fcne akort olmay\u0131 ve dua eden insan\u0131n al\u0131c\u0131l\u0131\u011f\u0131n\u0131 ifade eder. Ba\u015f, orta ve i\u015faret parma\u011f\u0131 a\u00e7\u0131k, di\u011ferleri kapal\u0131 ise bu \u201cTanr\u0131 \u015fahidim olsun ki\u2026\u201d anlam\u0131na gelen bir yemindi.<\/p>\n
Schneider el sembol\u00fcne b\u00fcy\u00fck \u00f6nem atfeder \u00e7\u00fcnk\u00fc o, insan\u0131n i\u00e7sel halinin tezah\u00fcr\u00fc, d\u00fcnyevi g\u00f6r\u00fcn\u00fcm\u00fcd\u00fcr. Yukar\u0131 kalkm\u0131\u015f el, sesin ve \u015fark\u0131n\u0131n sembol\u00fcd\u00fcr; g\u00f6\u011fse konmu\u015f el bir bilgenin tavr\u0131n\u0131 ifade eder; boyuna konan el, fedak\u00e2rl\u0131\u011f\u0131n sembol\u00fc olurken birle\u015ftirilmi\u015f iki el mistik evlili\u011fin sembol\u00fcd\u00fcr. Uzanan eller, kutsaman\u0131n, koruman\u0131n ve buyur etmenin sembol\u00fcd\u00fcr.<\/p>\n
Ba\u015fka bir elin i\u00e7indeki el, hizmet s\u00f6z\u00fc vermeyi temsil ederken eller birbirinin \u00fczerinde avu\u00e7 i\u00e7leri yukar\u0131 y\u00f6nde ise bu, meditasyonun ve al\u0131c\u0131 olu\u015fun sembol\u00fcd\u00fcr. Yukar\u0131ya kald\u0131r\u0131lm\u0131\u015f eller, Tap\u0131nmay\u0131, dua etmeyi, selamlamay\u0131 ve ayn\u0131 zamanda g\u00fcc\u00fcn i\u00e7e akmas\u0131n\u0131 sembolize eder. Avu\u00e7 i\u00e7leri d\u0131\u015fa d\u00f6n\u00fck eller: Kutsama, ilahi g\u00f6rg\u00fc ve l\u00fctfun simgesidir.<\/p>\n
El s\u0131k\u0131\u015fmak anla\u015fmaya, s\u00f6z vermeye ait olan Ha\u00e7\u0131 ya da Ankh\u2019\u0131 olu\u015fturur. El y\u0131kamak masumiyetin, safla\u015fman\u0131n, su\u00e7u ink\u00e2r etmenin sembol\u00fcd\u00fcr.<\/p>\n
Sa\u011f el g\u00fcc\u00fcn elidir, kutsama i\u00e7in kald\u0131r\u0131l\u0131r ve ya\u015fam prensibinin vaadini verir. Josephus \u015f\u00f6yle yazmaktad\u0131r: \u201cSize sa\u011f elini veren hi\u00e7 kimse aldatmayacakt\u0131r ve de hi\u00e7 kimse onlar\u0131n sadakatinden \u015f\u00fcphe etmeyecektir\u201d. Sol el ise g\u00fcc\u00fcn pasif yan\u0131n\u0131n, al\u0131c\u0131l\u0131\u011f\u0131n sembol\u00fcd\u00fcr; genellikle h\u0131rs\u0131zl\u0131kla ve hileyle ili\u015fkilendirilir. Bir g\u00f6z ve di\u011fer g\u00fc\u00e7 sembolleri ile tasvir edilen el, durug\u00f6r\u00fcy\u00fc ve aktar\u0131lan psi\u015fik g\u00fcc\u00fc sembolize eder.<\/p>\n
Tradisyonlarda El Sembol\u00fc:<\/strong><\/span><\/p>\n M\u0131s\u0131rda: M\u0131s\u0131r hiyerogliflerinde el, tezah\u00fcr\u00fc, hareketi, y\u00f6neticili\u011fi ve tesir al\u0131p vermeyi sembolize eder. Eski M\u0131s\u0131r tradisyonundaki a\u00e7\u0131k el sembol\u00fc ise manyetik g\u00fc\u00e7le ve insan\u0131n vazifeleriyle ili\u015fkilidir. M\u0131s\u0131rl\u0131larda el, ate\u015f ve suyun; eril ve di\u015filin birli\u011fini tasvir eder.<\/p>\n G\u00fcn\u00fcm\u00fczdeki tokala\u015fma gelene\u011finin tesir al\u0131\u015fveri\u015fini sa\u011flay\u0131c\u0131 eski bir y\u00f6ntemden t\u00fcremi\u015f oldu\u011fu ileri s\u00fcr\u00fcl\u00fcr. M\u0131s\u0131r tradisyonundaki elin tesirle ilgili anlam\u0131 Ra\u2019 n\u0131n g\u00fcc\u00fcn\u00fc, h\u00e2kimiyetini ve tesirlerini temsil eden baz\u0131 tasvirlerde, \u0131\u015f\u0131nlar\u0131n ucunun el bi\u00e7imini almas\u0131nda da g\u00f6r\u00fcl\u00fcr.<\/p>\n Hititlerde:<\/strong> <\/span>Hititler\u2019de takdis etme; eli de\u011fdirme veya eli de\u011fdirecek kadar yakla\u015ft\u0131rmayla yap\u0131l\u0131rd\u0131. Avu\u00e7 i\u00e7leri yukar\u0131 do\u011fru a\u00e7\u0131lm\u0131\u015f, kalkm\u0131\u015f eller Eski M\u0131s\u0131r\u2019da pasiflik, al\u0131c\u0131l\u0131k ve dua halini temsil ederdi ki, g\u00fcn\u00fcm\u00fczde de gerek H\u0131ristiyanl\u0131kta gerek \u0130slamiyet\u2019te bu gelenek mevcuttur.<\/p>\n Budizmde:<\/strong> <\/span>Buda\u2019n\u0131n eli koruman\u0131n sembol\u00fcd\u00fcr, avu\u00e7 i\u00e7i yukar\u0131 d\u00f6n\u00fck oldu\u011funda s\u0131n\u0131rs\u0131z vericili\u011fi sembolize eder. Budist ikonografisinde Buda\u2019n\u0131n sa\u011f eli d\u00fcnyaya dokunur, onun \u00fczerindeki tanr\u0131sall\u0131\u011f\u0131n\u0131 tasvir eder, d\u00fcnyay\u0131 tan\u0131kl\u0131\u011fa \u00e7a\u011f\u0131r\u0131r. O, aktif kutuptur.<\/p>\n Sol eli sadaka \u00e7ana\u011f\u0131n\u0131 tutmakta veya yukar\u0131 y\u00f6nde d\u00f6nmektedir ve al\u0131c\u0131l\u0131\u011f\u0131n, fedan\u0131n sembol\u00fcd\u00fcr, o pasif kutuptur. Budizm\u2019de ve Hinduizm\u2019de mudralar, ilahi g\u00fc\u00e7lerin ellerle ifadesidir. Mudralar ellerin sembolik pozisyonlar\u0131n\u0131n ve hareketlerinin tam bir dilidir.<\/p>\n Bunlar s\u0131n\u0131fland\u0131r\u0131lmak i\u00e7in \u00e7ok fazla say\u0131dad\u0131r ama genel olarak sunumlarda sa\u011f el yukar\u0131 kalk\u0131k oldu\u011funda cesurlu\u011fun simgesi veya avu\u00e7 i\u00e7i yukar\u0131 y\u00f6nde oldu\u011funda vermenin, eller bir arada oldu\u011funda avu\u00e7 i\u00e7i yukar\u0131 bak\u0131yor ise ya da el bir ipi tutuyorsa bu meditasyonun ya da al\u0131c\u0131 halde olu\u015fun sembol\u00fcd\u00fcr. Eller kalbin \u00f6n\u00fcnde ise bu Bilgelik ve Y\u00f6ntem\u2019in birli\u011fidir. Avu\u00e7 i\u00e7inde g\u00f6z sembol\u00fc, k\u00f6r olmayan; ay\u0131rt eden \u015fefkat ve bilgeli\u011fin yard\u0131mc\u0131 elini temsil eder.<\/p>\n \u00c7in Sembolizminde:<\/strong><\/span> Tokala\u015fan eller dostlu\u011fun, sadakatin sembol\u00fc olurken gizlenen el sayg\u0131y\u0131 ve itaati sembolize eder. Sa\u011f el yang\u2019t\u0131r ve g\u00fcc\u00fc temsil eder ve onurun sembol\u00fc olan sol elin tam tersidir; yaln\u0131z sava\u015flarda bu tersine d\u00f6ner, sa\u011f el k\u0131l\u0131\u00e7 eli olarak askerin ya da onurun eli olur. Sol el ise yin\u2019dir.<\/p>\n H\u0131ristiyanl\u0131kta:<\/strong><\/span> El, Tanr\u0131\u2019n\u0131n g\u00fcc\u00fcn\u00fcn, kudretinin sembol\u00fcd\u00fcr. H\u0131ristiyan Sanat\u0131\u2019nda bulutlardan uzanan el, Baba olan Tanr\u0131\u2019n\u0131n varl\u0131\u011f\u0131 ve g\u00fcc\u00fcd\u00fcr. O, bazen Kutsal Ruh\u2019un g\u00fcvercinini sal\u0131verirken g\u00f6r\u00fcl\u00fcr. H\u0131ristiyan ikonografisinde \u0130sa Tanr\u0131\u2019n\u0131n Sa\u011f Eli olarak tasvir edilir. Sa\u011f El, di\u011fer kaynaklarda da olumlu bir de\u011feri ifade eder; \u00f6rne\u011fin sa\u011f elin beyaz maji ile ve sol elin yolunun da siyah ile temsil edildi\u011fi gibi.<\/p>\n El yukar\u0131 kalkm\u0131\u015f, avu\u00e7 i\u00e7i yukar\u0131 bak\u0131yorsa bu kutsaman\u0131n, ilahi l\u00fctfun ve yard\u0131m\u0131n, \u00fc\u00e7 parmak yukar\u0131 kalm\u0131\u015fsa Trinite\u2019nin sembol\u00fcd\u00fcr. T\u00fcm el yukar\u0131 kalkm\u0131\u015fsa ba\u015fparmak Baba\u2019y\u0131, i\u015faret parma\u011f\u0131 Kutsal Ruh\u2019u, orta parmak \u0130sa\u2019y\u0131, di\u011fer iki parmak ise \u0130sa\u2019n\u0131n ikili do\u011fas\u0131n\u0131 sembolize eder.<\/p>\n \u0130slamda:<\/strong><\/span> A\u00e7\u0131k el, kutsamay\u0131, tap\u0131nmay\u0131 ve misafirperverli\u011fi simgeler. Fatima\u2019n\u0131n eli Tanr\u0131\u2019n\u0131n Eli\u2019ni, ilahi g\u00fcc\u00fc, Tanr\u0131\u2019n\u0131n takdirini ve ruhsal asaleti temsil eder. Ba\u015fparmak Peygamberin sembol\u00fcd\u00fcr, di\u011fer parmaklar ise onun yolda\u015flar\u0131n\u0131n; birincisi Fatma Ana, ikincisi onun e\u015fi Ali, di\u011ferleri ise onlar\u0131n \u00e7ocuklar\u0131 Hasan ve H\u00fcseyin\u2019dir.<\/p>\n D\u00f6rd\u00fcnc\u00fc parmak ayn\u0131 zamanda ruhsal ve etik se\u00e7kinlik ve be\u015fi birlikte be\u015f temel kaideyi ve dinin be\u015f dire\u011fini temsil ederler. Mevlevi dans\u0131nda avu\u00e7 i\u00e7i yukar\u0131, g\u00f6\u011fe d\u00f6n\u00fck el; inisiyenin yukar\u0131dan gelen rahmeti, spirit\u00fcel tesiri almas\u0131n\u0131, avu\u00e7 i\u00e7i a\u015fa\u011f\u0131 yere d\u00f6n\u00fck el ise ald\u0131\u011f\u0131 ruhsal tesiri di\u011fer insanlara aktarmas\u0131n\u0131 temsil eder.<\/p>\n Yeni Ruh\u00e7ulukta:<\/strong><\/span> Doktor Bedri Ruhselman\u2019\u0131n kurucusu oldu\u011fu Yeni Ruh\u00e7uluk\u2019ta El, Rahman ve Rahim olan Allah\u2019\u0131n, Ruhsal Y\u00f6netim Mekanizmas\u0131\u2019n\u0131n, O\u2019nun koruyuculu\u011funun, sevk ve idare edicili\u011finin sembol\u00fcd\u00fcr. Sa\u011f el pozitif, sol el ise negatif kutbu temsil eder.<\/p>\n Rahman ve Rahim olan g\u00fcc\u00fcn bizi iki ellerinin aras\u0131nda \u015fefkatle, sevgiyle tuttu\u011fu en \u00f6nemli d\u00f6nem, Devre Sonuna aittir. Devre Sonu Semavi Y\u00f6netimler i\u00e7in insano\u011flunun uyan\u0131\u015fa ge\u00e7ti\u011fi, Rabb\u2019ini Bilip, tek\u00e2m\u00fcl etti\u011fi; ya\u015fanan olaylar nedeniyle fark\u0131ndal\u0131\u011f\u0131n\u0131 y\u00fckseltip \u2018Kendini Bildi\u011fi\u2019 d\u00f6nemlerdir.<\/p>\n \u201cRahman ve Rahim olan etki\u201dye uyum sa\u011flaman\u0131n ka\u00e7\u0131n\u0131lmaz oldu\u011fu bu d\u00f6nemde El Sembol\u00fc de bu korumay\u0131 ve Rahmeti ifade eder. Ki\u015finin; en az\u0131ndan \u0130SA Peygamber\u2019in, en \u00e7o\u011fundan MUHAMMED Peygamber\u2019in sahip olduklar\u0131 kadar olgunla\u015fmas\u0131 ve safla\u015fmas\u0131 gereken bir zaman dilimidir devre sonu. Devre sonu, vicdan\u0131n nefse \u00fcst\u00fcn gelmesiyle ortaya \u00e7\u0131kacak b\u00fcy\u00fck bir de\u011fi\u015fimin ya\u015fanaca\u011f\u0131 bir d\u00f6nemdir.<\/p>\n O nedenle El Sembol\u00fcne uygun olarak t\u00fcm samimiyetimiz ve i\u00e7tenli\u011fimizle Ellerin dua i\u00e7in g\u00f6ky\u00fcz\u00fcne uzand\u0131\u011f\u0131, yard\u0131m ve \u015fefaat istendi\u011fi d\u00f6nemlere de denk gelir. \u00c7\u00fcnk\u00fc birey, devre sonu noktaland\u0131\u011f\u0131nda (k\u0131yam s\u00fcreci sona erdi\u011finde) ancak \u015fuur zenginli\u011fine g\u00f6re belli bir d\u00fczeyin sahibi olacakt\u0131r. (Sad\u0131klar Plan\u0131 Teb. Sayfa-314)<\/p>\n \u201cBir devrenin g\u00f6r\u00fcp g\u00f6zetilmesi ve y\u00f6netimiyle vazifeli olan plan, mekanizma kendine \u00f6zg\u00fc baz\u0131 tesirleri, bu d\u00f6nemin her yerinde hareketli tutar. Bu tesirler, kendi kalitelerine g\u00f6re, gerek insan\u0131n ruhunda ve gerekse maddenin titre\u015fimlerinde t\u00fcrl\u00fc eylemler olu\u015fturur.\u201d (Sad\u0131klar Plan\u0131 Teb. Sayfa-467)<\/p>\n Kaynak<\/strong>: Astroset<\/p>\n","protected":false},"excerpt":{"rendered":" El sembol\u00fc, genel olarak tezah\u00fcr\u00fcn, icran\u0131n, uygulaman\u0131n, g\u00fcc\u00fcn, tesir aktar\u0131m\u0131n\u0131n, h\u00e2kimiyetin ve otoritenin sembol\u00fc olarak kabul edilir. Paleolitik ma\u011fara resimlerinde \u015fu an hala el fig\u00fcrlerine rastlan\u0131yor. El sembol\u00fc pek \u00e7ok anlama sahiptir ve ayr\u0131ca negatif veya pozitif kutuplar\u0131 da i\u00e7erebilir. El ile temas \u201cB\u00fcy\u00fcl\u00fc Dokunu\u015f\u201du sembolize eder. El vermek kutsamay\u0131 ve bir ki\u015finin ya …<\/p>\n","protected":false},"author":1,"featured_media":873,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"class_list":["post-872","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sembolizm"],"_links":{"self":[{"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/posts\/872","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/comments?post=872"}],"version-history":[{"count":3,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/posts\/872\/revisions"}],"predecessor-version":[{"id":3786,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/posts\/872\/revisions\/3786"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/media\/873"}],"wp:attachment":[{"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/media?parent=872"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/categories?post=872"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/tags?post=872"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}