{"id":892,"date":"2015-06-22T10:50:09","date_gmt":"2015-06-22T07:50:09","guid":{"rendered":"http:\/\/kosmosmacerasi.com\/v1\/?p=892"},"modified":"2015-06-22T10:50:09","modified_gmt":"2015-06-22T07:50:09","slug":"hac-sembolu","status":"publish","type":"post","link":"http:\/\/kosmosmacerasi.com\/v1\/2015\/06\/hac-sembolu\/","title":{"rendered":"HA\u00c7 SEMBOL\u00dc"},"content":{"rendered":"<p>Ha\u00e7, en kadim zamanlardan g\u00fcn\u00fcm\u00fcze uzanan evrensel bir sembold\u00fcr. D\u00fcnyan\u0131n merkezi ve dolay\u0131s\u0131yla da g\u00f6ky\u00fcz\u00fc ve d\u00fcnya aras\u0131nda bir ileti\u015fim noktas\u0131, bir kozmik eksendir, dolay\u0131s\u0131yla kozmik a\u011fa\u00e7, da\u011f, s\u00fctun ve merdiven sembolleriyle ili\u015fkilidir.<\/p>\n<p>Ha\u00e7 sembol\u00fc H\u0131ristiyanl\u0131k sembol\u00fc olarak tan\u0131nmas\u0131na ra\u011fmen ara\u015ft\u0131rmalar\u0131n g\u00f6sterdi\u011fine g\u00f6re H\u0131ristiyanl\u0131ktan \u00e7ok daha \u00f6nce (on binlerce y\u0131l \u00f6ncesinde bile) var olmu\u015ftur. \u0130brani alfabesinin 22. ve son harfi ha\u00e7 anlam\u0131na gelir. Ha\u00e7, basit sembolik \u015fekillerden en evrensel olan\u0131d\u0131r ve \u00f6nemi H\u0131ristiyanl\u0131kta oldu\u011fu kadar\u0131yla s\u0131n\u0131rl\u0131 de\u011fildir.<\/p>\n<p>Sembol, Ya\u015fam A\u011fac\u0131\u2019 n\u0131 ve Beslenme A\u011fac\u0131\u2019 n\u0131 temsil eder. Ha\u00e7 ayn\u0131 zamanda hem yatay hem de dikey d\u00fczlemlerde ahenkli bir geni\u015fleme yapabilen evrensel, ar\u015fetipsel insan\u0131n sembol\u00fcd\u00fcr. Dikey eksen g\u00f6ksel, ruhsal ve zihinsel, pozitif, aktif ve eril olurken, yatay eksen d\u00fcnyasal, rasyonel, pasif, negatif ve di\u015fildir ve ha\u00e7\u0131n b\u00fct\u00fcn\u00fc ilksel androjeni olu\u015fturur. Bu, do\u011fadaki d\u00fcalizmdir ve ayr\u0131ca z\u0131tlar\u0131n birli\u011fidir ve de tamamlanm\u0131\u015f bir ya\u015fam i\u00e7in gerekli olan insan ruhunun yatay ve d\u00fc\u015fey eksenlerde b\u00fct\u00fcnle\u015fmesinin temsili, ruhsal birliktir.<\/p>\n<p>Ha\u00e7 ayn\u0131 zamanda \u00f6l\u00fcm\u00fcn kabullenili\u015fini, ac\u0131 \u00e7ekmeyi ve kendini feday\u0131 sembolize ederken, Y\u00fcce Olan\u2019 \u0131n da sembol\u00fcd\u00fcr. Ha\u00e7, en son noktaya kadar gerilmi\u015f, ac\u0131 \u00e7ekmi\u015f insand\u0131r, ayn\u0131 zamanda maddeye d\u00fc\u015fen ruhtur. Her y\u00f6nde sonsuz bir geni\u015fleme sa\u011flayabilirli\u011fi ile ebedi hayata i\u015faret eder.<\/p>\n<p>Ha\u00e7, Ya\u015fam A\u011fac\u0131\u2019 n\u0131n k\u00f6k\u00fcnden akan cennetteki d\u00f6rt nehirden olu\u015fur. Ana y\u00f6nleri i\u00e7inde bar\u0131nd\u0131r\u0131r. Merkezdeki be\u015finci noktada birle\u015fen d\u00fcnyan\u0131n d\u00f6rt elementidir. Kozmolojik olarak yukar\u0131 ve a\u015fa\u011f\u0131 y\u00f6nler Zenit ve Nadir\u2019dir; Kuzey-G\u00fcney ekseni g\u00fcnd\u00f6n\u00fcm\u00fc eksenidir ve Do\u011fu-Bat\u0131 ekseni ekinoks eksenidir.<\/p>\n<p>Ha\u00e7 \u00f6ncelikle mek\u00e2nsal bir oryantasyonu temsil etmektedir; dikey olanla yatay olan\u0131n kesi\u015fimidir ve bu haliyle \u00e7oklu ikilikleri tek ve sade bir b\u00fct\u00fcn\u00fcn i\u00e7inde bir araya getirmektedir. Uzant\u0131lar\u0131, bir d\u00f6rtlemeyi akla getirmektedir, hatta ortas\u0131na bir kesi\u015fim noktas\u0131 eklendi\u011finde bir pentad\u2019\u0131 (be\u015fleme) olu\u015fturur. T\u0131pk\u0131 daire gibi ha\u00e7 da pek \u00e7ok mandalan\u0131n, kilisenin ve tap\u0131na\u011f\u0131n yap\u0131s\u0131nda yer al\u0131r.<\/p>\n<p>Ha\u00e7lar geni\u015f bir k\u00fclt\u00fcr \u00e7e\u015fitlili\u011finin kozmolojik sunumlar\u0131nda \u00e7o\u011fu zaman g\u00f6ze \u00e7arpar. Yine, i\u00e7inde d\u00f6rt nehir akan \u0130ncil\u2019deki cennet resmi de bilinen g\u00f6r\u00fcnt\u00fclerdendir. Daire i\u00e7inde ha\u00e7, kozmik ba\u011flant\u0131lar\u0131na ilave olarak y\u0131l\u0131n d\u00f6rt b\u00f6l\u00fcme ayr\u0131lmas\u0131n\u0131n temsilidir. Ha\u00e7 bir kareyi e\u015fit \u00e7eyrek dairelere b\u00f6ler, t\u0131pk\u0131 Roma kentinde oldu\u011fu gibi.<\/p>\n<p>Roma kentinde, t\u00fcm Roma kamplar\u0131nda ortak olan Decumanus ve Cardo caddeleri merkezde kesi\u015fmektedir. Roma d\u00f6neminden daha yak\u0131n zamanlarda bile kentler geleneksel olarak d\u00f6rt e\u015fit par\u00e7aya b\u00f6l\u00fcnm\u00fc\u015ft\u00fcr. \u015eematik Orta\u00e7a\u011f haritalar\u0131 genelde ha\u00e7 \u015feklindedir (Ha\u00e7 \u015feklinde de\u011filse de T \u015feklindedir) ve ortalar\u0131nda da Kud\u00fcs yer al\u0131r.<\/p>\n<p>Ha\u00e7 orta\u00e7a\u011f alegorisinde Y \u015feklindeki a\u011fa\u00e7 olarak temsil edilir ve d\u00fc\u011f\u00fcmlerle, dallarla, hatta dikenlerle tasvir edilir. T\u0131pk\u0131 Ya\u015fam A\u011fac\u0131 gibi, ha\u00e7 da d\u00fcnya ekseninde durur. Kozmosun mistik merkezine yerle\u015ftirilmi\u015f olan bu a\u011fa\u00e7 ruhun Tanr\u0131\u2019ya eri\u015febilece\u011fi k\u00f6pr\u00fc veya merdivendir. Ha\u00e7\u0131 yedi ad\u0131m olarak tasvir eden baz\u0131 versiyonlar mevcuttur, bu, yedi g\u00f6\u011f\u00fc sembolize eden kozmik a\u011fa\u00e7larla k\u0131yaslanabilir.<\/p>\n<p>Ayr\u0131ca, ha\u00e7\u0131n dikey kolunu kesen par\u00e7as\u0131 z\u0131tlar\u0131n birle\u015fmesini temsil eder; fenomenler d\u00fcnyas\u0131n\u0131n prensibi ile ruhsal prensibin birle\u015fmesinin sembol\u00fcd\u00fcr. Dolay\u0131s\u0131yla, ha\u00e7 \u0131st\u0131rab\u0131n, m\u00fccadelenin ve \u015fehit olman\u0131n sembol\u00fcd\u00fcr. Bazen ha\u00e7 T \u015feklindedir, bu ha\u00e7 t\u00fcr\u00fc, z\u0131t prensiplerin dengeye yak\u0131n halini vurgular.<\/p>\n<p>Jung, baz\u0131 tradisyonlarda ha\u00e7\u0131n ate\u015fin ve varolu\u015fun ac\u0131 \u00e7eki\u015flerinin sembol\u00fc oldu\u011funu \u00f6ne s\u00fcrmektedir. Bayley de, ha\u00e7\u0131n ate\u015f sembolizmi yan\u0131n\u0131 vurguluyor ve ha\u00e7 i\u00e7in kullan\u0131lan t\u00fcm kelimelerin B\u00fcy\u00fck Ate\u015f\u2019in \u0131\u015f\u0131\u011f\u0131na i\u015faret eden ortak bir etimolojik temele sahip oldu\u011funu belirtiyor. M\u0131s\u0131r hiyerogliflerinde ha\u00e7 ya\u015fam\u0131n veya ya\u015faman\u0131n sembol\u00fcd\u00fcr (Nem Ankh), ve sa\u011fl\u0131k, mutluluk gibi kelimelerin bir b\u00f6l\u00fcm\u00fcn\u00fc olu\u015fturur.<\/p>\n<p>Ha\u00e7\u0131n \u00fcst kolu kavislidir ve bazen hemen hemen bir daireyi olu\u015fturacak kadar kapal\u0131ya yak\u0131nd\u0131r. Enel bu hiyeroglifi \u015f\u00f6yle yorumluyor; bu sembol\u00fcn fonetik \u00f6nemi aktifli\u011fin ve pasifli\u011fin ve bu ikisinin kar\u0131\u015f\u0131m\u0131n\u0131n bir ifadesidir ve ha\u00e7 sembol\u00fc ile genel olarak aktif ve pasif prensibin sentezi olarak uyumludur.<\/p>\n<p>Her kolun kartal, aslan gibi bir hayvan ba\u015f\u0131 ile sonland\u0131\u011f\u0131 ha\u00e7, derin bir d\u00fc\u015f\u00fcncenin sembol\u00fcd\u00fcr; Kaynak\u2019tan d\u0131\u015fa do\u011fru yay\u0131lan sonradan y\u00fczeye d\u00fc\u015fecek (yani varolu\u015fun pasifli\u011finden sonradan canl\u0131l\u0131k olu\u015facakt\u0131r ve, sonsuza do\u011fru h\u0131zla y\u00fckselecektir.<\/p>\n<p>Ha\u00e7\u0131n ayn\u0131 zamanda, elementlerin baz\u0131 \u00f6zel kar\u0131\u015f\u0131mlar\u0131n\u0131 birle\u015ftirerek tek bir bireyi olu\u015fturdu\u011fu da d\u00fc\u015f\u00fcn\u00fclebilir ki bu da ha\u00e7\u0131n karakteristik olan ya\u015fam sembolizmi i\u00e7eri\u011fini do\u011frulayacakt\u0131r. Sembol\u00fcn kaderi temsil etti\u011fi de g\u00f6r\u00fclebilmektedir.<\/p>\n<p>Evola, ha\u00e7\u0131n zaman\u0131n ve mek\u00e2n\u0131n yedi y\u00f6n\u00fcn\u00fcn bir sentezi oldu\u011funu \u00f6ne d\u00fcrmektedir, \u00e7\u00fcnk\u00fc formu \u00f6zg\u00fcr hareketi hem s\u00fcrd\u00fcren hem de yok eden cinstendir, dolay\u0131s\u0131yla ha\u00e7 Ouroboros\u2019 un antitezidir, \u00e7\u00fcnk\u00fc Ouroboros kozmosun yarat\u0131l\u0131\u015f\u0131n\u0131n ve d\u00fczenin ortaya \u00e7\u0131k\u0131\u015f\u0131n\u0131n s\u00fcreklili\u011fini sa\u011flayan ilksel, anar\u015fik dinamizme i\u015faret eden ejderha ya da y\u0131land\u0131r. Dolay\u0131s\u0131yla, ha\u00e7 ile k\u0131l\u0131\u00e7 aras\u0131nda yak\u0131n bir ili\u015fki vard\u0131r, \u00e7\u00fcnk\u00fc her ikisi de ilksel canavara kar\u015f\u0131 a\u00e7\u0131\u011fa \u00e7\u0131kar.<\/p>\n<p><span style=\"color: #ff0000;\"><strong>Ankh<\/strong><\/span><\/p>\n<p>Ha\u00e7, \u00fczeri daire veya oval bir formla ta\u00e7land\u0131\u011f\u0131nda M\u0131s\u0131r\u2019\u0131n ya\u015fam ha\u00e7\u0131 ortaya \u00e7\u0131kmaktad\u0131r (Ankh ya da crux ansata), Ankh, tanr\u0131lar\u0131n (\u00f6rne\u011fin Akhenaton monoteizmindeki G\u00fcne\u015f Tanr\u0131 Aton ya da Do\u011fruluk Tanr\u0131\u00e7as\u0131 Maat gibi) ya da firavunlar\u0131n s\u0131k s\u0131k ellerinde tuttuklar\u0131n\u0131n g\u00f6r\u00fcld\u00fc\u011f\u00fc bir sembold\u00fcr.<\/p>\n<p>Eski M\u0131s\u0131rda Ankh sembol\u00fc ya\u015fam, birlik, \u00f6l\u00fcms\u00fczl\u00fck ve sa\u011fl\u0131k sembol\u00fcd\u00fcr. Ankh ayn\u0131 zamanda \u0130sis ve Osiris\u2019in birli\u011fini temsil eder. Makro kozmik bir bak\u0131\u015f a\u00e7\u0131s\u0131yla, yani d\u00fcnyaya olan paralelli\u011fine bak\u0131larak Ankh-Ha\u00e7\u0131n\u0131n g\u00fcne\u015fi, g\u00f6ky\u00fcz\u00fcn\u00fc ve d\u00fcnyay\u0131 temsil etti\u011fi de s\u00f6ylenebilir.<\/p>\n<p>M\u0131s\u0131rl\u0131 H\u0131ristiyanlar (Koptlar) Ankh\u2019\u0131 \u0130sa\u2019n\u0131n fedak\u00e2rca \u00f6l\u00fcm\u00fcyle ili\u015fkilendirerek ebedi hayat\u0131n sembol\u00fc olarak ele alm\u0131\u015flard\u0131r. G\u00fcn\u00fcm\u00fczde ise kadim bilgeli\u011fin miras\u0131na sahip \u00e7\u0131kan gruplar\u0131n s\u0131kl\u0131kla kulland\u0131\u011f\u0131 bir amblemdir. Eril ve di\u015fil sembolleri birle\u015ftiren M\u0131s\u0131r\u2019\u0131n Ankh\u2019\u0131, cinslerin de birli\u011fidir.<\/p>\n<p>Ayr\u0131ca g\u00f6ky\u00fcz\u00fc ve yery\u00fcz\u00fcn\u00fcn birli\u011fi, ya\u015fam, \u00f6l\u00fcms\u00fczl\u00fck, ebedi hayat, gelecek olan ya\u015fam, gelecek olan zaman, sakl\u0131 bilgelik, ya\u015fam\u0131n ve bilginin gizemlerine g\u00f6t\u00fcren anahtard\u0131r. \u00dczerindeki elips \u015fekli ebediyetin simgesidir ve uzunluk-geni\u015flik olarak \u00e7apraz geni\u015flemenin, sonsuzdan mek\u00e2na olan\u0131n sembol\u00fcd\u00fcr. Ayn\u0131 zamanda ufkun \u00fczerinde y\u00fckselen g\u00fcne\u015fin sembol\u00fcd\u00fcr.<\/p>\n<p><strong>Daire \u0130\u00e7inde Ha\u00e7:<\/strong> G\u00fcne\u015fin de\u011fi\u015fkenli\u011fi, de\u011fi\u015fim \u00e7ark\u0131, \u00e7ark\u0131felek ili\u015fkilendirildi\u011fi unsurlard\u0131r. H\u0131ristiyan kilisesi genelde ha\u00e7\u0131 kilise bah\u00e7esinin dairesi i\u00e7inde g\u00f6sterir.<\/p>\n<p><strong>Kare \u0130\u00e7inde Ha\u00e7:<\/strong> D\u00fcnyan\u0131n, stabilitenin temsilidir ve bir \u00c7in sembol\u00fcd\u00fcr.<\/p>\n<p><strong>Merkezinde Tekerlek Olan Ha\u00e7:<\/strong> Hinduizmde \u00e7akran\u0131n, g\u00fcc\u00fcn, heybetlili\u011fin, g\u00fcne\u015fin sembol\u00fcd\u00fcr.<\/p>\n<p><strong>X Formundaki Ha\u00e7: <\/strong>M\u00fckemmelli\u011fin, 10 say\u0131s\u0131n\u0131n, Aziz Andrew Ha\u00e7\u0131n\u0131n sembol\u00fcd\u00fcr. Baz\u0131 bilgilere g\u00f6re havari Andrew bu ha\u00e7a gerilerek \u00f6ld\u00fcr\u00fclm\u00fc\u015ft\u00fcr.<\/p>\n<p><strong>Malta Ha\u00e7\u0131:<\/strong> Asur\u2019un d\u00f6rt b\u00fcy\u00fck tanr\u0131s\u0131n\u0131n sembol\u00fcd\u00fcr: Ra, Anu, Belus, Hea. Ayr\u0131ca Malta \u015e\u00f6valyelerinin Amblemidir.<\/p>\n<p><strong>G\u00fcl-Ha\u00e7:<\/strong> Uyumun, kalbin, merkezin sembol\u00fcd\u00fcr.<\/p>\n<p><strong>Tau Ha\u00e7\u0131:<\/strong> Ya\u015fam A\u011fac\u0131, yeniden do\u011fum, gizli bilgelik, ilahi g\u00fc\u00e7 ve kural, gelecek olan hayatla ili\u015fkilidir. Tau ayn\u0131 zamanda G\u00f6k g\u00fcr\u00fclt\u00fcs\u00fc Tanr\u0131lar\u0131n\u0131n \u00e7ekicidir. \u0130sa\u2019n\u0131n \u00e7arm\u0131ha gerildi\u011fi ha\u00e7 olas\u0131l\u0131kla bir Tau ha\u00e7\u0131d\u0131r, bu ha\u00e7 T harfi \u015feklindedir ve bu da ilahi seleksiyonun kadim sembol\u00fcd\u00fcr.<\/p>\n<p>Bu i\u015faret \u00e7eki\u00e7 sembol\u00fcn\u00fc and\u0131rmaktad\u0131r. Thor\u2019un \u00e7ekici, pop\u00fcler bir Alman t\u0131ls\u0131m\u0131d\u0131r, o ayn\u0131 zamanda Thor\u2019un sava\u015f baltas\u0131d\u0131r. Tau ha\u00e7\u0131, intikam ve \u00f6\u011f\u00fct\u00fcc\u00fc olarak ele al\u0131nmaktad\u0131r. \u00c7apa fig\u00fcr\u00fc, yani U \u015feklindeki bir hilalin \u00fczerinde duran bir ha\u00e7, ayn\u0131 zamanda bir gizli ha\u00e7 olarak fonksiyon g\u00f6rmektedir.<\/p>\n<p><strong>\u0130kili Ha\u00e7:<\/strong>\u00a0 G\u00f6ky\u00fcz\u00fc Tanr\u0131s\u0131 olarak Zeus\u2019un g\u00fcne\u015f sembol\u00fcd\u00fcr. Budist *stupalar\u0131nda (*Budistlere ait kutsal yap\u0131) da g\u00f6r\u00fcl\u00fcr ve Kalde G\u00f6ky\u00fcz\u00fc Tanr\u0131lar\u0131na ve Ari Tanr\u0131sall\u0131\u011f\u0131\u2019na e\u015flik eder.<\/p>\n<p><strong>Hilalli Ha\u00e7:<\/strong>\u00a0 Hilal di\u015fil, al\u0131c\u0131 unsur oldu\u011fu gibi ayn\u0131 zamanda da dikey eksendir ve eril bir sembold\u00fcr. \u0130kisi birlikte eril ve di\u015filin, g\u00f6ky\u00fcz\u00fcn\u00fcn ve yery\u00fcz\u00fcn\u00fcn birli\u011fini sembolize ederler.<\/p>\n<p><strong>Afrika Sembolizminde:<\/strong>\u00a0 \u0130lahili\u011fin, bir \u00e7ocu\u011fun do\u011fumu s\u0131ras\u0131nda koruman\u0131n sembol\u00fcd\u00fcr.<\/p>\n<p><strong>Simyada :<\/strong> Elementlerin do\u011fal d\u00fczenini sembolize eder. *Quintia Essentia\u2019n\u0131n (Be\u015finci unsur; esir maddesi) merkezi noktas\u0131d\u0131r.<\/p>\n<p><strong>K\u0131z\u0131lderililerde:<\/strong>\u00a0 \u0130nsan formunun, ya\u011fmurun, y\u0131ld\u0131zlar\u0131n, orman yang\u0131n\u0131n\u0131n, bek\u00e2retin, d\u00f6rt temel y\u00f6n\u00fcn ve d\u00f6rt r\u00fczg\u00e2r\u0131n sembol\u00fcd\u00fcr. Ha\u00e7\u0131n kuzey kolu kuzey r\u00fczg\u00e2r\u0131n\u0131n, en g\u00fc\u00e7l\u00fc olan\u0131n, so\u011fu\u011fun, galip gelenin, zek\u00e2n\u0131n temsilidir; do\u011fu kolu ise do\u011fu r\u00fczgar\u0131n\u0131n, kalbin, ya\u015fam\u0131n ve sevginin kayna\u011f\u0131n\u0131n sembol\u00fc olurken ha\u00e7\u0131n bat\u0131 kolu ruhsal d\u00fcnyan\u0131n s\u00fcptil r\u00fczgar\u0131n\u0131n, son nefesin, bilinmeyene yakla\u015fman\u0131n sembol\u00fcd\u00fcr, g\u00fcney kolu ise ate\u015fin ve tutkunun, erimenin ve yanman\u0131n temsilidir.<\/p>\n<p>Ha\u00e7\u0131n merkezi d\u00fcnya ve insand\u0131r; tanr\u0131lar\u0131n ve r\u00fczg\u00e2rlar\u0131n \u00e7at\u0131\u015fan g\u00fc\u00e7leri taraf\u0131ndan hareket ettirilir. Daire i\u00e7ine \u00e7izilmi\u015f loca ha\u00e7\u0131 kutsal bir alan, bir kozmik merkezdir. Kutsal dairenin i\u00e7indeki uzay\u0131n d\u00f6rt boyutu,\u00a0 B\u00fcy\u00fck Ruhu kapsayan b\u00fct\u00fcnselli\u011fi sembolize etmektedir. Ha\u00e7 ayn\u0131 zamanda, yatayla\u015farak yery\u00fcz\u00fcne do\u011fru e\u011filen ve ayn\u0131 zamanda dikey merkezi eksen boyunca uzanarak g\u00f6ky\u00fcz\u00fcne de\u011fen kozmik a\u011fac\u0131n temsilidir.<\/p>\n<p><strong>Budizmde:<\/strong>\u00a0 Yasalar \u00e7ark\u0131 ekseninin ve varolu\u015f d\u00f6ng\u00fcs\u00fcn\u00fcn sembol\u00fcd\u00fcr.<\/p>\n<p><strong>\u00c7in Sembolizminde:<\/strong> Kare i\u00e7inde ha\u00e7 d\u00fcnyan\u0131n sembol\u00fc olurken, daire i\u00e7inde ha\u00e7 g\u00f6klerin temsilidir.<\/p>\n<p><strong>H\u0131ristiyanl\u0131kta:<\/strong>\u00a0 \u0130sa\u2019n\u0131n kendini feda edi\u015fiyle kurtulu\u015fun; kurtarman\u0131n, ba\u015fkalar\u0131 i\u00e7in kendini feda etmenin, ac\u0131n\u0131n ve inanc\u0131n sembol\u00fcd\u00fcr. H\u0131ristiyan sembolizminde ha\u00e7 sembol\u00fc \u0130sa\u2019n\u0131n ha\u00e7a gerilmesinde ara\u00e7 olu\u015funun temsilidir. U\u00e7 noktada bir zalimli\u011fin arac\u0131 olmakla birlikte Dirili\u015f ile birlikte ebedi hayat\u0131n da sembol\u00fc olmu\u015ftur.<\/p>\n<p>Erken H\u0131ristiyanl\u0131k d\u00f6neminde ha\u00e7 ancak teredd\u00fct i\u00e7inde bir sembol olarak kabul ediliyordu, bunun da nedeni bu infaz i\u015fleminin kendine \u00f6zg\u00fc bi\u00e7imiydi. Ancak zaman i\u00e7inde ha\u00e7 tam olarak \u00f6l\u00fcm \u00fczerinde elde edilen zaferin sembol\u00fc olarak kabul g\u00f6rm\u00fc\u015ft\u00fcr.<\/p>\n<p>Katolik papazlar\u0131n\u0131n ayin s\u0131ras\u0131nda giydikleri c\u00fcppenin \u00fczerindeki Y \u015feklindeki ha\u00e7, \u0130sa\u2019n\u0131n ha\u00e7 \u00fczerinde uzat\u0131lan kollar\u0131n\u0131 ve ellerin yukar\u0131ya kalk\u0131\u015f\u0131n\u0131 temsil etmektedir. Aziz Andrew\u2019un ha\u00e7\u0131 \u015fehit olmay\u0131, ac\u0131 \u00e7ekmeyi ve k\u00fc\u00e7\u00fck d\u00fc\u015f\u00fcr\u00fclmeyi temsil eder. Orta\u00e7a\u011f sembolizminde \u0130sa\u2019n\u0131n Ha\u00e7\u0131\u2019n\u0131n Bilgi A\u011fac\u0131\u2019ndan yap\u0131ld\u0131\u011f\u0131 s\u00f6ylenirdi.<\/p>\n<p>Bilgi A\u011fac\u0131 D\u00fc\u015f\u00fc\u015f\u2019\u00fcn sembol\u00fcd\u00fcr ve sonradan kurtar\u0131lman\u0131n da sembol\u00fc olmu\u015ftur. A\u011fa\u00e7, z\u0131t y\u00f6nlerde yer alan iyi ve k\u00f6t\u00fc meyveyi ta\u015f\u0131r halde tasvir edilmi\u015ftir (bu ayn\u0131 zamanda iyi ve k\u00f6t\u00fc h\u0131rs\u0131z olarak da sembolize edilir), \u0130sa ile birlikte an\u0131ld\u0131\u011f\u0131nda bu, *Calvary\u2019deki (*Hz. \u0130sa\u2019n\u0131n \u00e7arm\u0131ha gerildi\u011fi yer) \u00fc\u00e7 ha\u00e7tan ortada olan\u0131 olabildi\u011fi gibi Birle\u015ftirici Hayat A\u011fac\u0131\u2019n\u0131n g\u00f6vdesi de olabilmektedir.<\/p>\n<p>Ha\u00e7\u0131n iki kolu ayn\u0131 zamanda merhametin ve h\u00fckm\u00fcn temsilidir ve H\u0131ristiyan sanat\u0131nda g\u00fcne\u015f ve ay bu iki niteli\u011fi oldu\u011fu kadar \u0130sa\u2019n\u0131n iki do\u011fas\u0131n\u0131 da ha\u00e7\u0131n dikey-g\u00f6ksel olanla yatay-d\u00fcnyasal olan\u0131 simgelemek i\u00e7in her iki tarafta da tasvir edilir. \u00c7i\u00e7eklerle s\u00fcsl\u00fc ha\u00e7 ya da *cross botone Harun\u2019un Asas\u0131\u2019n\u0131n filizleni\u015finin hem de \u0130sa\u2019n\u0131n yeniden dirili\u015finin sembol\u00fc olarak kullan\u0131lmaktad\u0131r.<\/p>\n<p><strong>Yahudilikte (Kabalizmde):<\/strong>\u00a0 Yahudilikte alt\u0131 \u0131\u015f\u0131nl\u0131 ha\u00e7, yarat\u0131l\u0131\u015f\u0131n alt\u0131 g\u00fcn\u00fcn\u00fc temsil eder, ayr\u0131ca zaman ve d\u00fcnya s\u00fcrecinin alt\u0131 faz\u0131n\u0131n sembol\u00fcd\u00fcr.<\/p>\n<p><strong>Hinduizmde: <\/strong>\u00a0Raja\u2019lar, varolu\u015fun geni\u015flemesi, dikey d\u00fczlemi sattva\u2019lar\u0131 ya da varolu\u015fun y\u00fcksek ruhsal hallerini temsil ederken yatay olan ise tamas veya d\u00fc\u015f\u00fck d\u00fcnyasal halleri temsil eder. Ha\u00e7 ayn\u0131 zamanda kutsal Ganj Nehri ve Agni\u2019nin \u00e7apraz \u015fekildeki ate\u015f \u00e7ubuklar\u0131n\u0131 temsil ederler.<\/p>\n<p><strong>\u0130slamda:<\/strong> Varolu\u015fun t\u00fcm hallerinin m\u00fckemmel birli\u011fini temsil eder hem geni\u015fleme hem de y\u00fckselme, yatay ve d\u00fc\u015fey geni\u015flemenin, Y\u00fcce Kimli\u011fin temsilidir.<\/p>\n<p><strong>Manicilikte:<\/strong>\u00a0 I\u015f\u0131k ha\u00e7\u0131, \u0130sa\u2019n\u0131n Ac\u0131 \u00e7eki\u015fini, ayr\u0131ca t\u00fcm do\u011faya n\u00fcfuz eden \u0131\u015f\u0131\u011f\u0131 simgeler.<\/p>\n<p><strong>Meksika Sembolizminde:<\/strong> Ha\u00e7 do\u011furganl\u0131ktan \u00f6t\u00fcr\u00fc d\u00f6rt r\u00fczg\u00e2r\u0131 tasvir eder. Tlaloc ve Quetzalcoatl\u2019\u0131n sembol\u00fcd\u00fcr.<\/p>\n<p><strong>Platon \u0130nisiyasyonunda:<\/strong> Yarat\u0131c\u0131n\u0131n sembol\u00fcd\u00fcr. T\u00fcm d\u00fcnyay\u0131 uzunlamas\u0131na ikiye b\u00f6lerek onlar\u0131 birbirine ba\u011flamay\u0131 simgeler.<\/p>\n<p><strong>\u0130skandinav ve Alman Tradisyonunda:<\/strong>\u00a0\u00a0 Thor\u2019un \u00e7ekicidir ve y\u0131ld\u0131r\u0131m\u0131, \u015fim\u015fe\u011fi, f\u0131rt\u0131nay\u0131, ya\u011fmuru ve do\u011furganl\u0131\u011f\u0131 sembolize eder. O ayn\u0131 zamanda f\u0131rt\u0131na tanr\u0131lar\u0131n\u0131n g\u00fcc\u00fcd\u00fcr.<\/p>\n<p><strong>S\u00fcmero Semitik Tradisyonda:<\/strong> Babil\u2019 de hilal simgesinin eklendi\u011fi ha\u00e7, ay tanr\u0131\u00e7alar\u0131yla ili\u015fkili g\u00f6r\u00fcl\u00fcr, Asurda ha\u00e7 g\u00fcne\u015fin parlad\u0131\u011f\u0131 d\u00f6rt y\u00f6nle ili\u015fkilendirilir. G\u00fcne\u015f ha\u00e7\u0131, aristokratlar taraf\u0131ndan kullan\u0131lmaktad\u0131r. Fenikede ha\u00e7 ya\u015fam\u0131 ve \u00f6l\u00fcm\u00fc temsil eder. Kaldede alt\u0131 \u0131\u015f\u0131nl\u0131 ha\u00e7 yarat\u0131l\u0131\u015f\u0131n alt\u0131 g\u00fcn\u00fcn\u00fc, ayr\u0131ca zaman\u0131n ve d\u00fcnyan\u0131n s\u00fcresinin alt\u0131 faz\u0131n\u0131 simgeler.<\/p>\n<p><strong>Yeni Ruh\u00e7uluk\u2019ta ve Ruh\u00e7uluk\u2019ta:<\/strong>\u00a0 Spirit\u00fcel bilgilere g\u00f6re ruhsal d\u00fcnyada kav\u015faklar genelde ya\u015fayanlar\u0131n ve \u00f6l\u00fclerin yollar\u0131n\u0131n kesi\u015fim noktalar\u0131n\u0131n sembol\u00fc olarak d\u00fc\u015f\u00fcn\u00fcl\u00fcr. Ruhsal ba\u011flant\u0131 kuran kanallara rehberleri, m\u00fcmk\u00fcn oldu\u011funda kav\u015faklardan ge\u00e7melerini \u00f6nerir.<\/p>\n<p>Ha\u00e7 sembol\u00fcn\u00fcn yer ald\u0131\u011f\u0131 tradisyonlarda ha\u00e7 \u015feklinin d\u00f6rt k\u00f6\u015fesi yatayl\u0131\u011f\u0131, yay\u0131lmay\u0131, tezah\u00fcrler \u00e2lemini ya da \u00fc\u00e7 boyutlu \u00e2lemi simgelerken ha\u00e7\u0131n merkezinde yer ald\u0131\u011f\u0131 varsay\u0131lan bir be\u015finci noktadan \u00e7\u0131kan eksen ise tezah\u00fcrler \u00f6tesi \u00e2lemi, ruhsal d\u00fcnyay\u0131 ya da d\u00f6rt boyutlu d\u00fcnyay\u0131 simgeler. \u00dc\u00e7 boyutlu \u00e2lemdeki her \u015feyin kayna\u011f\u0131 d\u00f6rt boyutlu \u00e2lemdir.<\/p>\n<p>Ha\u00e7 ayn\u0131 zamanda insan\u0131n kendi egosunu tanr\u0131sal yasalar\u0131n i\u015fleyi\u015fi i\u00e7in feda etmesini anlat\u0131r. Ruhsal ki\u015filer, her g\u00fcn yeniden insanl\u0131\u011f\u0131n enerjilerinin y\u00fckselebilmesi i\u00e7in kendilerini feda etmekten, yollar\u0131 a\u00e7mak i\u00e7in her t\u00fcrl\u00fc zorlu\u011fa katlanarak \u00f6nde gitmekten vazge\u00e7meyen ki\u015filerdir.<\/p>\n<p>Ruhsall\u0131\u011f\u0131n yery\u00fcz\u00fcne inebilmesi i\u00e7in g\u00f6rev yapan \u0131\u015f\u0131k i\u015f\u00e7ileri g\u00fcnl\u00fck hayatlar\u0131nda ba\u015fka insanlar\u0131n dayanamayaca\u011f\u0131 b\u00fcy\u00fck zorluklar ya\u015famaktalar, yerk\u00fcre d\u00fc\u015f\u00fck titre\u015fim seviyesinde oldu\u011fundan y\u00fcksek titre\u015fimlere do\u011fru ilerleyenler zorluk olarak alg\u0131lanan, bir t\u00fcr kendini ba\u015fkalar\u0131 i\u00e7in feda etme \u00f6yk\u00fcs\u00fcn\u00fc g\u00fcnl\u00fck ya\u015famlar\u0131nda ya\u015farlar.<\/p>\n<p>Bu ya\u015fananlara yeni ruh\u00e7uluk a\u00e7\u0131s\u0131ndan daha y\u00fcksek bir g\u00f6r\u00fc\u015fle bakacak olursak g\u00f6r\u00fcr\u00fcz ki, onlar bir\u00e7ok ki\u015finin gelecekte daha b\u00fcy\u00fck bir rahatl\u0131kla bu ge\u00e7i\u015fi yapabilmesi i\u00e7in yolu temizlemekteler. Kar\u015f\u0131la\u015f\u0131lan her zorlu\u011fu a\u015farak bir \u0131\u015f\u0131k yolu a\u00e7maktalar. Bu \u00e7al\u0131\u015fma \u00f6nemsizmi\u015f gibi g\u00f6r\u00fcnse de b\u00fcy\u00fck tabloda sahneyi y\u00fckseli\u015fe haz\u0131rlamaktad\u0131r.<\/p>\n<p>I\u015f\u0131k \u0130\u015f\u00e7ileri \u00f6nce kalplerinde ger\u00e7ekten d\u00fcnyay\u0131 de\u011fi\u015ftirirken bu de\u011fi\u015fimin getirdi\u011fi t\u00fcm m\u00fccadelelere de i\u00e7sel ve d\u0131\u015fsal olarak katlanarak Mesih \u015fuurunu olu\u015fturmakta ve birer minik kozmik modelleme yapmaktad\u0131rlar.<\/p>\n<p>Astroset<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ha\u00e7, en kadim zamanlardan g\u00fcn\u00fcm\u00fcze uzanan evrensel bir sembold\u00fcr. D\u00fcnyan\u0131n merkezi ve dolay\u0131s\u0131yla da g\u00f6ky\u00fcz\u00fc ve d\u00fcnya aras\u0131nda bir ileti\u015fim noktas\u0131, bir kozmik eksendir, dolay\u0131s\u0131yla kozmik a\u011fa\u00e7, da\u011f, s\u00fctun ve merdiven sembolleriyle ili\u015fkilidir. Ha\u00e7 sembol\u00fc H\u0131ristiyanl\u0131k sembol\u00fc olarak tan\u0131nmas\u0131na ra\u011fmen ara\u015ft\u0131rmalar\u0131n g\u00f6sterdi\u011fine g\u00f6re H\u0131ristiyanl\u0131ktan \u00e7ok daha \u00f6nce (on binlerce y\u0131l \u00f6ncesinde bile) var olmu\u015ftur. \u0130brani &hellip;<\/p>\n","protected":false},"author":1,"featured_media":893,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"class_list":["post-892","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sembolizm"],"_links":{"self":[{"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/posts\/892","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/comments?post=892"}],"version-history":[{"count":1,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/posts\/892\/revisions"}],"predecessor-version":[{"id":894,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/posts\/892\/revisions\/894"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/media\/893"}],"wp:attachment":[{"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/media?parent=892"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/categories?post=892"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/tags?post=892"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}