{"id":930,"date":"2015-06-22T12:00:33","date_gmt":"2015-06-22T09:00:33","guid":{"rendered":"http:\/\/kosmosmacerasi.com\/v1\/?p=930"},"modified":"2016-09-17T12:51:32","modified_gmt":"2016-09-17T09:51:32","slug":"swastika-sembolu","status":"publish","type":"post","link":"http:\/\/kosmosmacerasi.com\/v1\/2015\/06\/swastika-sembolu\/","title":{"rendered":"SWAST\u0130KA SEMBOL\u00dc"},"content":{"rendered":"

 <\/p>\n

\u201c\u0130lahi ger\u00e7e\u011fin sembolleri cahilleri e\u011flendirmek i\u00e7in verilmemi\u015ftir. Onlar felsefi d\u00fc\u015f\u00fcncenin Alfa ve Omega\u2019s\u0131d\u0131rlar\u201d – H. P. BLAVATSKY<\/p>\n

\u00c7e\u015fitli \u00d6\u011fretilerde Swastika Sembol\u00fc:<\/span><\/strong><\/p>\n

\"1511151_1536024753338061_2793648795026072937_n\"<\/a>Bir Navaho \u015fark\u0131c\u0131, g\u00f6kku\u015fa\u011f\u0131 y\u0131lan\u0131n\u0131 izlerken g\u00f6ksel \u201cd\u00f6nen g\u00f6l\u201d\u00fcn k\u0131y\u0131lar\u0131n\u0131 resmeder. \u00c7\u0131k\u0131\u015f\u0131 ve dibi olmayan bu g\u00f6l\u00fcn y\u00fczeyinde renkli \u00e7ak\u0131l ta\u015flar\u0131yla birlikte \u201cd\u00f6nen k\u00fct\u00fcklerin\u201d olu\u015fturdu\u011fu ha\u00e7\u0131 anlat\u0131yor. Dikkatlice, k\u00fct\u00fcklerin u\u00e7lar\u0131na ata biner gibi iki\u015fer iki\u015fer oturmu\u015f sekiz fig\u00fcr\u00fc tarif ediyor. Onlar, zaman\u0131n b\u00f6l\u00fcnmelerini dengeleyen Kutsal \u0130nsanlar\u2026<\/p>\n

Swastika\u2019 n\u0131n kollar\u0131 \u00fczerindeki g\u00f6ksel ayaklar olarak duruyorlar. Yeniden yarat\u0131l\u0131yor ve sembollerin bu en kadim olan\u0131n\u0131n sundu\u011fu ayr\u0131\u015ft\u0131r\u0131lm\u0131\u015f b\u00fct\u00fcnselli\u011fin evrensel \u015fablonunda d\u00f6n\u00fcyorlar.<\/p>\n

Ha\u00e7\u0131n iki \u00e7izgisi ruh ve maddeyi temsil eder ve bunlar sikluslar\u0131n ayr\u0131mlar\u0131n\u0131 i\u015faret eder, ayn\u0131 zamanda da d\u00f6rt ana noktay\u0131 g\u00f6sterirler. Ayaklar\u0131 hareketi sembolize eder ve bunlara \u201chayat\u0131n gemileri\u201d denir; ezoterik sembolizme g\u00f6re tekam\u00fcl\u00fcn b\u00fct\u00fcn periyotlar\u0131n\u0131 y\u00f6neten eden Semavi Varl\u0131klar\u2019\u0131n gemileridirler.<\/p>\n

Swastika\u2019n\u0131n tam sembol\u00fc kendi i\u00e7inde bir d\u00fcnyay\u0131; unsurlar\u0131, merkezden e\u015fit uzakl\u0131ktaki bir g\u00fcc\u00fcn mek\u00e2nsal d\u00fczenini ifade eder. O, kozmik ve mikrokozmik olan\u0131n ikilli glifi, d\u00f6rt b\u00f6l\u00fcme ayr\u0131lan evrensel \u00e7evrim hareketinin g\u00f6r\u00fcn\u00fcm\u00fcd\u00fcr.<\/p>\n

Swastika, Roma\u2019da H\u0131ristiyan yer alt\u0131 mezarlar\u0131n\u0131n duvarlar\u0131na \u201cZwitko Zwitko\u201d; yani \u201cYa\u015fam, Ya\u015fam\u201d kelimeleriyle i\u015flenmi\u015ftir. Kadim \u0130ngiltere\u2019nin, \u0130skandinavya\u2019n\u0131n, Miken\u2019in ve \u0130rlanda\u2019n\u0131n ortak sembol\u00fcd\u00fcr. T\u00fcm Alman Irk\u0131\u2019na mensup halklar taraf\u0131ndan ve ayr\u0131ca Galyal\u0131lar, Etr\u00fcskler, Keltler ve Slavlar taraf\u0131ndan da kullan\u0131lm\u0131\u015ft\u0131r.<\/p>\n

\"10407630_1536024680004735_6345053223632982403_n\"<\/a>Kadim ve modern Hindistan\u2019da, Orta Asya\u2019da, Tibet\u2019te, \u00c7in\u2019de, Japonya\u2019da ve ayn\u0131 zamanda Yeni D\u00fcnya\u2019n\u0131n her yerinde bulunmu\u015ftur. Navaho\u2019nun k\u0131y\u0131 resmi Aztek \u00e7\u00f6mlek\u00e7ili\u011finde, Maya heykelcili\u011finde, \u0130nka yap\u0131lar\u0131nda, Zuni resimlerinde ve Blackfoot kalkanlar\u0131nda g\u00f6r\u00fclen sembol\u00fcn ayn\u0131s\u0131n\u0131 tasvir etmektedir.<\/p>\n

Bir Natchez K\u0131z\u0131lderilisi\u2019nin heykelinde kutsal adam lotus pozisyonunda oturmakta, aln\u0131nda bir swastika ta\u015f\u0131maktad\u0131r ve Asya\u2019da bir inisiyeyi tasvir eden yine ayn\u0131 i\u015farettir. Kadim Susa \u015fehrinde cenaze t\u00f6reninde kullan\u0131lan vazolar swastikalarla s\u00fcslenmi\u015fti. Mohenjo-Daro s\u00fcs tabaklar\u0131 ile d\u00fc\u011fme \u015fekilli pullar\u0131 yine bu sembolle bezelidir.<\/p>\n

Alman Arkeolog Schliemann Truva\u2019da yap\u0131lan kaz\u0131larda b\u00fcy\u00fc ve din unsurunun oldu\u011fu el sanat\u0131 objeler \u00fczerinde swastika fig\u00fcrlerine rastlam\u0131\u015ft\u0131r; bunlar kadim Peru, Asur ve Kalde\u2019dekilere benzer, rahiplere ait ruhsal uygulamalar\u0131 g\u00f6stermektedir.<\/p>\n

Kuzey Avrupa\u2019da Bronz \u00c7a\u011f\u0131\u2019nda Odin \u00a0genellikle uzay\u0131 bir d\u00f6nen disk olarak ge\u00e7er \u015fekilde ya da b\u00fct\u00fcn d\u00fcnyalardan a\u015fa\u011f\u0131 bakan bir swastika olarak tasvir edilmi\u015ftir. Swastika Germen halklar\u0131nda Thor\u2019un \u00e7ekicini sembolize eder, \u00f6zellikle de \u0130skandinavya\u2019da. Ancak bu \u00e7ekicin bir g\u00f6sterimi de sonunda Mistik Karde\u015fli\u011fin en kadim d\u00fczeni olan Mason Localar\u0131nda oturum ba\u015fkan\u0131n\u0131n \u00e7ekicine d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr.<\/p>\n

\"10155129_1536024826671387_7225668535846546482_n\"<\/a>Kadim Galyal\u0131lar iki \u201cs\u201dli swastikalar\u0131n oldu\u011fu bozuk paralar kulland\u0131lar. Kadim Avrupa\u2019n\u0131n pek \u00e7ok Tanr\u0131s\u0131, tekerleklerle, \u00e7eki\u00e7lerle ya da \u201cs\u201d sembolleriyle tasvir edilmi\u015flerdir. Demir \u00c7a\u011f\u0131\u2019nda ise swastika Y\u00fcce \u0130lah\u2019\u0131 sembolize etmeye ba\u015flam\u0131\u015ft\u0131r. Bir m\u00fch\u00fcr olarak insanlar\u0131n arazilerinde, tap\u0131nd\u0131klar\u0131 unsurlar\u0131n \u00fczerinde ve \u015feytana kar\u015f\u0131 koruma amac\u0131 ile evlerin sa\u00e7aklar\u0131nda kullan\u0131ld\u0131. Benzer \u015fekilde swastikay\u0131 temsil eden Gorgonlar birer \u00e7ark \u015feklinde sembolize edilerek kadim Yunan\u2019daki tanr\u0131 ve tanr\u0131\u00e7alar\u0131n evlerini korurdu.<\/p>\n

Budist tradisyonda swastika Sripada\u2019n\u0131n altm\u0131\u015f be\u015f fig\u00fcr\u00fcnden biridir; Buda\u2019n\u0131n ayak izi, \u00dcstad\u0131n ad\u0131m\u0131 ve \u00c7in\u2019deki Lotus Okulu\u2019nun \u00f6zellikle sayg\u0131 g\u00f6sterdi\u011fi ilahlar\u0131n \u00f6zel i\u015faretidir. Neolitik Harappa Uygarl\u0131\u011f\u0131\u2019nda swastika iki y\u00f6nde de d\u00f6nebilir olarak tasvir edilmi\u015ftir, bu bir\u00e7ok k\u00fclt\u00fcrde b\u00f6yledir ve ayr\u0131ca g\u00fcne\u015fle ba\u011flant\u0131l\u0131d\u0131r.<\/p>\n

Sonraki d\u00f6nemlerde, Hindistan\u2019da swastika yolg\u00f6sterici Ganesha ile ili\u015fkilendirilir, Ganesha\u2019n\u0131n imaj\u0131 genelde d\u00f6n\u00fcm noktalar\u0131nda bulunur ve \u015fans\u0131 simgeler. Asl\u0131nda, Swastika kelimesi Sanskrit k\u00f6kler olan su ve asti\u2019den t\u00fcremi\u015ftir ve bu da iyi olu\u015f anlam\u0131na gelir. Swastika, bir merkez ekseninden itibaren varolu\u015f sikluslar\u0131 olarak tezah\u00fcr eden zaman ve mek\u00e2n y\u00f6nleri a\u00e7\u0131s\u0131ndan hemen hemen evrensel kabul edilir. Dolay\u0131s\u0131yla Dakota yerlileri \u201cy\u0131l d\u00fcnyan\u0131n etraf\u0131ndaki dairedir\u201d derler ve \u201cg\u00fcne\u015f tekerle\u011fi \u0131\u015f\u0131nlara ve kollar\u0131nda ayaklara sahiptir\u201d denir.<\/p>\n

G\u00fcne\u015f Swastikas\u0131, mevsimlerin ebedi d\u00f6n\u00fc\u015f\u00fcn\u00fc temsil eder; Avrupal\u0131 k\u00f6yl\u00fcler dingil s\u0131r\u0131klar\u0131na at arabas\u0131 tekerle\u011fi yerle\u015ftirir ve yaz\u0131n ortas\u0131nda bir tepenin \u00fcst k\u0131sm\u0131ndan a\u015fa\u011f\u0131 s\u00fcrmeden \u00f6nce onu ate\u015fle tutu\u015ftururdu. D\u00fcnyan\u0131n pek \u00e7ok yerinde, Neolitik D\u00f6nemlere ve daha eski zamanlara kadar uzanan kaya oymalar\u0131 swastika arac\u0131l\u0131\u011f\u0131yla g\u00fcne\u015fi temsil eder. Kalifornia Chumash (kabilesi) ayn\u0131 g\u00fcne\u015f desenini iyi gizlenmi\u015f ve ilk zamanlar \u00e7ok s\u0131k ziyaret edilen ma\u011faralar\u0131n \u00e7ak\u0131l ta\u015f\u0131 duvarlar\u0131na ve tavanlar\u0131na resmetmi\u015flerdir.<\/p>\n

\"1484646_1536024773338059_5706706847086784922_n\"<\/a>Pythagoras \u00fczerine yazd\u0131\u011f\u0131 eserinde Diogenes Laertius \u015f\u00f6yle s\u00f6ylemi\u015fti; \u201cMonad (tezah\u00fcr etmi\u015f olan) her \u015feyin prensibidir. Monaddan ve belirsiz d\u00fcaliteden (kaos) say\u0131lar ortaya \u00e7\u0131kar, say\u0131lardan \u00e7izgiler, \u00e7izgilerden de y\u00fczeyler. Daire Bilinmeyeni temsil eder, dairedeki nokta ise Kelam\u2019\u0131n temsilidir. Daivipraktiki; Kelam\u2019\u0131n \u0131\u015f\u0131\u011f\u0131, Fohat\u2019a \u00a0d\u00f6n\u00fc\u015f\u00fcr, yani ruh ve maddenin aras\u0131ndaki ba\u011flant\u0131 gibi. Nokta yatay\u0131n \u00e7ap\u0131na d\u00f6n\u00fc\u015f\u00fcr. Bu ilk, pasif d\u00fcalite insan hayat\u0131nda d\u00fcalitenin \u015fuurlu bir aktivasyonuna d\u00f6n\u00fc\u015f\u00fcr, g\u00f6ky\u00fcz\u00fcn\u00fc ve d\u00fcnyay\u0131 dengeleyerek her ikisine de n\u00fcfuz eder.”<\/p>\n

Swastika, daire i\u00e7ine al\u0131nm\u0131\u015f ha\u00e7tan al\u0131nm\u0131\u015ft\u0131r, \u00e7engelleri ise dairenin b\u00f6l\u00fcmleridir ve bu b\u00f6l\u00fcmler y\u00f6nlere d\u00f6n\u00fc\u015ft\u00fcr\u00fclm\u00fc\u015ft\u00fcr. D\u00f6rt ana y\u00f6ne a\u00e7\u0131lan ve Kelam\u2019\u0131n temsili olan nokta tekerle\u011fin hareket halinde olmas\u0131n\u0131 sa\u011flar.<\/p>\n

Pisagor tradisyonunda swastika, ikili bir sembol olan tetraktys\u2019i simgelemekteydi. Swastika, g\u00f6ky\u00fcz\u00fc ile yery\u00fcz\u00fc aras\u0131ndaki ba\u011flant\u0131d\u0131r, sa\u011f kolu g\u00f6ky\u00fcz\u00fcn\u00fc i\u015faret ederken sol kolu ise yery\u00fcz\u00fcn\u00fc i\u015faret eder. Simyac\u0131lar g\u00f6\u011fe d\u00f6n\u00fck kolu \u201csolve\u201d (\u00e7\u00f6zmek), yere d\u00f6n\u00fck k\u0131sm\u0131 ise \u201ccoagula\u201d (dondurmak) olarak adland\u0131r\u0131rlar.<\/p>\n

\u0130nsan eksende durdu\u011funda onun ruhsal do\u011fas\u0131 her formu \u00e7\u00f6z\u00fcmler. Bu durumda insan t\u0131pk\u0131 swastika gibi Evrensel Yarat\u0131c\u0131 G\u00fcc\u00fcn Alfa ve Omega\u2019 s\u0131n\u0131 temsil eder. Merkez noktas\u0131, tek bir m\u00fckemmel varl\u0131kla s\u0131n\u0131rl\u0131 de\u011fildir ayn\u0131 zamanda, insanl\u0131ktaki Tanr\u0131\u2019d\u0131r. Saf ruhtan yay\u0131lan d\u00f6rt kol kendilerini maddenin i\u00e7inde s\u0131n\u0131rs\u0131zca kaybederler.<\/p>\n

\"10407280_1536024726671397_4369937771707676870_n\"<\/a>Sadece ruh ve maddenin dengelenmi\u015f ha\u00e7\u0131 tek\u00e2m\u00fcl\u00fcn k\u00fcresel modeline s\u0131\u011fabilir ve insanlar\u0131n gizemli do\u011falar\u0131n\u0131 g\u00fc\u00e7lendirirken daireyi de karele\u015ftirir. (Tezah\u00fcr \u00f6ncesinin tezah\u00fcr haline gelmesi yani g\u00f6r\u00fcnenin ard\u0131ndaki g\u00f6r\u00fcnmeyenin g\u00f6r\u00fcn\u00fcr olmas\u0131 ve fizikte mek\u00e2n tutmas\u0131.)<\/p>\n

Sa\u011f kollu ve sol kollu olmak \u00fczere iki swastika vard\u0131r, bunlar birbirlerine ters y\u00f6nlerde d\u00f6nerler. Sa\u011f elli olana \u201cswastika\u201d denirken sol elli olana zaman zaman \u201cswavastika\u201d dendi\u011fi de g\u00f6r\u00fcl\u00fcr. E\u011fer saat y\u00f6n\u00fcndeki d\u00f6n\u00fc\u015f do\u011fal tek\u00e2m\u00fcl\u00fc ve hayat\u0131 sembolize ediyorsa ve saat y\u00f6n\u00fcn\u00fcn tersi de gerilemeyi veya \u00f6l\u00fcm\u00fc temsil etmelidir ve bu, do\u011fan\u0131n alt\u00fcst olmas\u0131d\u0131r ki \u201cNazi swastikas\u0131\u201d da bu ters d\u00f6nmeyi temsil eder.<\/p>\n

Bu ama\u00e7 i\u00e7in sembol\u00fcn se\u00e7ilme nedeni muhtemelen onun \u0130skandinav k\u00f6kenli oldu\u011funun d\u00fc\u015f\u00fcn\u00fclmesiydi ve H\u0131ristiyan Ha\u00e7\u0131\u2019n\u0131n k\u00f6t\u00fc bir taklidi olarak kullan\u0131lm\u0131\u015ft\u0131. Swastika, net olarak iyiyi de k\u00f6t\u00fcy\u00fc de temsil edebilir, bu onun i\u00e7sel ikili do\u011fas\u0131n\u0131n yans\u0131mas\u0131d\u0131r. Ancak, ge\u00e7mi\u015f \u00e7a\u011flardaki kullan\u0131mlar\u0131n\u0131n \u00e7o\u011fu, do\u011fas\u0131 tamamen ruhsal olan ve ba\u015fka bir yorumun yap\u0131lmas\u0131n\u0131n gerekli oldu\u011fu durumlarda her iki y\u00f6n\u00fc de g\u00f6stermektedir.<\/p>\n

Sa\u011f kol g\u00f6ky\u00fcz\u00fcn\u00fc g\u00f6sterir, sol kol ise d\u00fcnyay\u0131 i\u015faret eder ve bu, perspektife g\u00f6re de de\u011fi\u015fmektedir. Sembol ki\u015fiden uzakta oldu\u011funda kollar saat y\u00f6n\u00fcn\u00fcn tersine d\u00f6nerler. E\u011fer sembol bize yak\u0131nsa kollar saat y\u00f6n\u00fcnde d\u00f6nerler. Bu iki perspektif mikrokozmik ve makrokozmik olan\u0131 temsil eder. \u0130nsan, alg\u0131lama durumundaki ki\u015fi, bunlardan birinin tezah\u00fcr\u00fc olurken di\u011ferine de yakla\u015fmaktad\u0131r.<\/p>\n

\"10434316_1536024910004712_1974821177718126172_n\"<\/a>\u0130kili bir sembol olarak swastika ayn\u0131 zamanda hermafroditte birle\u015fen eril ve di\u015fili sembolize eder. Sembol bu g\u00f6r\u00fcn\u00fcm\u00fcyle G\u00fcney Hindistan\u2019da Ardanari fig\u00fcr\u00fc \u00fczerine oyulmu\u015f olarak bulunmu\u015ftur ve bu haliyle \u00fc\u00e7\u00fcnc\u00fc k\u00f6k \u0131rk\u0131n\u0131n cinsiyetsiz halini ifade etmektedir.<\/p>\n

Bir di\u011fer Hindu oyma eserinde Vishnu \u00e7ift cinsiyetli olarak g\u00f6sterilmi\u015ftir ve bir yar\u0131m dairenin i\u00e7inde y\u00fckselen bir suyun \u00fczerinde y\u00fczmekte ve nesillerin kayna\u011f\u0131n\u0131 temsil eden bir bir swastikadan d\u0131\u015far\u0131 akmaktad\u0131r. Ondan sonra gelen t\u00fcm tek\u00e2m\u00fcl i\u00e7ten, spiral halinde ger\u00e7ekle\u015fir, t\u0131pk\u0131 Buda\u2019n\u0131n i\u015faret etti\u011fi kutsal yasa olan Dharma Tekerle\u011fi\u2019nde sakl\u0131 olan swastikan\u0131n y\u00f6nler halinde a\u00e7\u0131\u011fa \u00e7\u0131k\u0131\u015f\u0131 gibi.<\/p>\n

Upani\u015fadlar do\u011fa yasas\u0131 ile uyumlu olarak, kozmostan yay\u0131lan ve her bir atomu canland\u0131rarak her bir \u015fuur merkezini uyand\u0131ran fohatik g\u00fcc\u00fc taklit edercesine \u201ci\u00e7teki tekerle\u011fi d\u00f6nd\u00fcrmenin \u015fart oldu\u011funu \u00f6\u011fretmektedirler. Swastika alt\u0131 rakam\u0131yla sembolize edilir ve bu da d\u00f6rt y\u00f6n\u00fc; Kuzey, G\u00fcney, Do\u011fu ve Bat\u0131\u2019y\u0131 i\u015faret ederken; ayr\u0131ca kutuplar\u0131 ve mistik merkeze tekab\u00fcl ederken evrenin k\u00f6kenini temsil eden Zenit ve Nadir\u2019i de temsil eder.<\/p>\n

D\u00f6rt nokta genelde d\u00fcnyan\u0131n d\u00f6rtte birlik k\u0131sm\u0131n\u0131 ve bu k\u0131sm\u0131n g\u00fc\u00e7lerini temsil ederken her bir kol her y\u00f6n\u00fcn koruyucu meleklerini destekleyen uzant\u0131lard\u0131r, t\u0131pk\u0131 Navaho Yei fig\u00fcrlerinde oldu\u011fu gibi.<\/p>\n

Zenit ve Nadir noktalar\u0131 bununla beraber a\u015fa\u011f\u0131 ve yukar\u0131 d\u00fcnyalar i\u00e7in tepe noktalar\u0131 olu\u015fturur. Dolay\u0131s\u0131yla bir di\u011fer K\u0131z\u0131lderili kabilesi olan Pawneeler\u2019in Hako T\u00f6reninde a\u015fa\u011f\u0131da ve yukar\u0131da bir kemer bulunur, bu kemerler swastikan\u0131n etraf\u0131ndaki k\u00fcreyi temsil ederler. K\u0131z\u0131lderili Zuni Kabilesindekiler\u2019e g\u00f6re bu, her \u015feyin kozmik \u00e7er\u00e7evesinin sembol\u00fcd\u00fcr.<\/p>\n

Zuni dualar\u0131 Orta B\u00f6lgeye bir duayla ba\u015flar, ard\u0131ndan havay\u0131 temsil eden ve sar\u0131 renkteki Kuzeye dua edilir, suyu temsil eden Bat\u0131 mavi renklidir, G\u00fcney ate\u015fi temsil eder ve k\u0131rm\u0131z\u0131 renktedir, Do\u011fu ise d\u00fcnyay\u0131 temsil eder ve beyazd\u0131r. B\u00fct\u00fcn bunlar\u0131 t\u00fcm renkleri i\u00e7eren Zenit\u2019e ve renksiz veya siyah olan Nadir\u2019e edilen dua takip eder.<\/p>\n

Onlar\u0131n dualar\u0131n\u0131n d\u00fczeni budur; en soyut noktadan, her \u015feyin y\u00fczeyine do\u011fru y\u00f6nelinir. Yine Diogenes Laertius\u2019un yazd\u0131\u011f\u0131 bir bilgi \u015f\u00f6yle: Say\u0131lardan noktalara, \u00e7izgilere, y\u00fczeylere, \u00fc\u00e7 boyutlu cisimlere ve \u201cd\u00f6rt unsura; ate\u015f, su, hava ve topra\u011fa sahip olan bu \u00fc\u00e7 boyutlu nesnelerden de\u011fi\u015ftirilmi\u015f (uyumland\u0131r\u0131lm\u0131\u015f) ve tamamen de\u011fi\u015fmi\u015f olan d\u00fcnya meydana gelir\u201d. Noktalar\u0131n bu gizemi bir y\u0131ld\u0131z\u0131n her spiralle\u015ferek do\u011fumu ger\u00e7ekle\u015fti\u011finde tekrarlanmaktad\u0131r.<\/p>\n

Avrupal\u0131 k\u00f6yl\u00fclerin ate\u015fle tutu\u015fturulmu\u015f tekerleklerinde ve Bronz \u00c7a\u011f\u0131n \u00f6l\u00fclerin yak\u0131ld\u0131ktan sonraki k\u00fcllerinin konuldu\u011fu kupa \u00f6rneklerinde g\u00f6r\u00fcld\u00fc\u011f\u00fc gibi swastika ile ate\u015f aras\u0131nda derin bir ili\u015fki vard\u0131r. Ezoterik felsefede swastika, ate\u015fi s\u00fcrt\u00fcnme yoluyla elde eden ve \u201ck\u0131rkdokuz ate\u015fi\u201d ilk kez ortaya \u00e7\u0131karand\u0131r. Swastika\u2019n\u0131n isimlerinden birisi de Arani\u2019dir ve bu da bir yang\u0131n tatbikat\u0131yla ate\u015f yakma rit\u00fceline i\u015faret eder.<\/p>\n

Bununla ili\u015fkili bir Sanskrit deyimi de pramantha\u2019d\u0131r, kelime anlam\u0131 ate\u015f yakmak i\u00e7in kullan\u0131lan bir aleti ifade eder, bir di\u011feri olan manth bir d\u00f6nme hareketini ifade ederken manthami de ate\u015f yakmak anlam\u0131na gelir. Yunanca prometheia \u00f6n bilgi anlam\u0131na gelir ve bununla ili\u015fkili olarak Promotheus ismi de Ate\u015f Getiren anlam\u0131ndad\u0131r.<\/p>\n

Prometheus ki\u015fiselle\u015fmi\u015f pramantha\u2019d\u0131r ve bunun Sanskrit\u00e7e kar\u015f\u0131l\u0131\u011f\u0131 Promati\u2019dir, yani Fohat\u2019\u0131n o\u011flu. Bunlar\u0131n d\u0131\u015f\u0131nda kutsal ate\u015ften xpwtos, Christos, Agni, Pramantha ve Arani\u2019nin birle\u015fmesinden meydana gelen \u0130lahi Bebek olarak bahsedilir ve bu do\u011fma s\u00fcrecine swastika denir.<\/p>\n

Gizli Doktrin (The Secret Doctrine) swastikan\u0131n \u201cyarat\u0131l\u0131\u015f ya da tekam\u00fcl \u00e7al\u0131\u015fmas\u0131n\u0131n tamam\u0131n\u0131n Kozmo-Teogoni\u2019den\u00a0 Antropogoni\u2019ye \u00a0birka\u00e7 sat\u0131rda \u00f6zeti\u201d oldu\u011funu \u00f6\u011fretir\u2026<\/p>\n

Bir ta\u015ftan k\u0131v\u0131lc\u0131mlar \u00e7\u0131karan, i\u015f\u00e7inin \u00e7ekicidir, burada ta\u015f uzay\u0131 sembolize ederken k\u0131v\u0131lc\u0131mlar d\u00fcnyalar\u0131 sembolize eder. Yeni G\u00f6ky\u00fcz\u00fcn\u00fc ve Yeni D\u00fcnyay\u0131 kutsamak i\u00e7in getirilen Thor\u2019un \u00e7ekicidir. Thor\u2019un k\u00f6t\u00fc tutkular\u0131n y\u0131lan\u0131n\u0131n ba\u015f\u0131n\u0131 vurmak i\u00e7in kulland\u0131\u011f\u0131 d\u00f6rt ayakl\u0131 ha\u00e7 makrokozmosun ve mikrokozmosun g\u00fcc\u00fcn\u00fcn k\u00f6keni haline gelir.<\/p>\n

Swastika yarat\u0131l\u0131\u015f \u00e7al\u0131\u015fmas\u0131n\u0131 sembolize eder ve ayn\u0131 zamanda da \u0130n\u015fa Ediciyi veya Mimar\u0131 sembolize eder. Kutsal Ate\u015fin Babas\u0131 \u0130sa Twastri\u2019dir ya da Joseph Carpenter\u2019d\u0131r, Vizwakarma\u2019n\u0131n kar\u015f\u0131l\u0131\u011f\u0131d\u0131r, “Tanr\u0131lar\u0131n Babas\u0131” ve Evrenin Mimar\u0131d\u0131r. Vizwakarma Surya\u2019y\u0131 (g\u00fcne\u015fi) swastikaya ba\u011flam\u0131\u015f, onun parlakl\u0131\u011f\u0131n\u0131n bir k\u0131sm\u0131n\u0131 kesmi\u015ftir, bu kesilen par\u00e7as\u0131 kendini swastika arac\u0131l\u0131\u011f\u0131yla kurban etti\u011fi anlam\u0131na gelmektedir ve kendisinin sembol\u00fcd\u00fcr. Dolay\u0131s\u0131yla o d\u00fcnyadaki K\u00e2hin \u0130nisiyat\u00f6r\u2019d\u00fcr.<\/p>\n

31415 say\u0131s\u0131 \u00e7e\u015fitli d\u00fczenlerdeki Dhyan Chohan\u2019lar\u0131n \u00a0hiyerar\u015fisidir. \u201cGe\u00e7ilmez\u201d dairesinin s\u0131n\u0131rlar\u0131na yerle\u015ftirildi\u011finde ona Dhyanipasa ad\u0131 verilir ve bu da do\u011fal ve do\u011fa\u00fcst\u00fc kozmosu b\u00f6len iptir. Bu, dairenin say\u0131s\u0131d\u0131r ve mistik swastikad\u0131r. Bu, bir dairenin \u00e7evresinin yar\u0131\u00e7ap\u0131na oran\u0131; 3.14 veya pi\u2019dir; inisiye olan\u0131n \u00e7e\u015fitli sikluslar\u0131 ve \u00e7a\u011flar\u0131 hesaplamak i\u00e7in kulland\u0131\u011f\u0131 orand\u0131r.<\/p>\n

B\u00fct\u00fcn bunlar\u0131n hepsi, \u201cErken Ariler d\u00f6nemindeki mistik d\u00fc\u015f\u00fcnceler zaman\u0131nda do\u011fmu\u015f olan ve onlar taraf\u0131ndan ebedili\u011fin tam olarak e\u015fi\u011fine ya da y\u0131lan Ananta\u2019n\u0131n ba\u015f\u0131na konulmu\u015f olan\u201d swastika taraf\u0131ndan harika bir \u015fekilde sembolize edilir. Vishnu\u2019nun Pralaya s\u0131ras\u0131nda \u00fczerinde durdu\u011fu B\u00fcy\u00fck Y\u0131lan bin ba\u015fl\u0131 Sesha-Ananta\u2019d\u0131r.<\/p>\n

Swastika\u2019n\u0131n i\u00e7inde \u201cKozmos\u2019un Yedi B\u00fcy\u00fck Gizemi\u201dnin anahtar\u0131, bilimin, \u0130lahi Olan\u2019\u0131n ve insan\u0131n sikluslar\u0131 bulunur. \u0130drak eden ki\u015fi Maha Maya\u2019dan kurtar\u0131lacakt\u0131r.<\/p>\n

\u201cSwastika\u2019n\u0131n gizemleri i\u00e7inde inisiye olmu\u015f ki\u015fi onun izlerini takip edebilir, matematiksel bir kesinlikle kozmosun tek\u00e2m\u00fcl\u00fcn\u00fc ve t\u00fcm Sandhya (ge\u00e7i\u015f d\u00f6nemi) periyodunu (Ayn\u0131 zamanda G\u00f6r\u00fcnenle G\u00f6r\u00fcnmeyenin aras\u0131ndaki ili\u015fkiyi), ayr\u0131ca insan\u0131n ve t\u00fcm canl\u0131lar\u0131n yarat\u0131l\u0131\u015f\u0131n\u0131 izleyebilir\u2026 Swastika sembolleri yedi ba\u015fl\u0131 ebedilik ejderinin Kether Tac\u0131\u2019n\u0131n yedi y\u00f6ntemini i\u015faret ederken \u00f6l\u00fcm sonras\u0131 \u00e7\u0131k\u0131\u015f\u0131n b\u00f6lgeleri yedi prensibini ve \u0130lahi Bilgeli\u011fin B\u00fcy\u00fck Y\u0131lan\u0131\u2019na yakla\u015f\u0131m\u0131 ve swastikay\u0131 ku\u015fatan dairenin evlerini i\u015faret eder.<\/p>\n

\u00d6z\u00fcnde bir swastika olan insan, alt\u0131 kozmik y\u00f6n\u00fc birle\u015ftirir ve yedinciyi merkezde ke\u015ffetmeye \u00e7al\u0131\u015f\u0131r. Ke\u015ffetmeyi ba\u015farabilirse sessiz merkezi noktada kalabilmeyi ba\u015fard\u0131\u011f\u0131 gibi ayn\u0131 zamanda da B\u00fcy\u00fck Kozmik Y\u0131lan\u2019a da eri\u015fmi\u015f olacakt\u0131r. B\u00f6ylece Budist \u0130nisiye\u2019nin en kadim kozmogoni ve teogoninin gizemlerine ait olan ve swastika m\u00fchr\u00fcn\u00fc ta\u015f\u0131yanlar\u0131n bildi\u011fi on bin ger\u00e7e\u011fini anlayan m\u00fckemmele eri\u015fmi\u015f bir \u00fcstat olur.<\/p>\n

Bu m\u00fch\u00fcr, insanl\u0131k i\u00e7in feda edilmi\u015f olan ya\u015fayan inisiyelerin y\u00fcreklerine yerle\u015ftirilmi\u015ftir. Onlar bu ger\u00e7ekleri bozulmayacak, sa\u011flaml\u0131\u011f\u0131 korunacak \u015fekilde ebedi bir sessizlik ve gizlilik i\u00e7inde onlar\u0131n anla\u015f\u0131l\u0131r olacaklar\u0131 ve on bin m\u00fckemmelli\u011fin emanet edilmeye de\u011fer oldu\u011fu\u201d se\u00e7ilmi\u015f takip\u00e7ileri, yani yeni inisiyeler i\u00e7in haz\u0131r hale gelecekleri g\u00fcne kadar saklamak zorundad\u0131rlar. Bu, Budalar\u0131n aln\u0131ndaki m\u00fch\u00fcrd\u00fcr, swastika ate\u015fi, kozmik m\u00fckemmellikleri insan formundaki cisimle\u015fmeleriyle birle\u015ftiren o huzurlu al\u0131nlarda yanmaktad\u0131r.<\/p>\n

Kaynak:\u00a0<\/strong>\u00a0www.theosophical.org\/resources\/articles\/Swastika.pdf<\/p>\n

Resim D\u00fczenleme:<\/strong> \u00c7i\u011fdem Sar\u0131g\u00fcl<\/p>\n","protected":false},"excerpt":{"rendered":"

  \u201c\u0130lahi ger\u00e7e\u011fin sembolleri cahilleri e\u011flendirmek i\u00e7in verilmemi\u015ftir. Onlar felsefi d\u00fc\u015f\u00fcncenin Alfa ve Omega\u2019s\u0131d\u0131rlar\u201d – H. P. BLAVATSKY \u00c7e\u015fitli \u00d6\u011fretilerde Swastika Sembol\u00fc: Bir Navaho \u015fark\u0131c\u0131, g\u00f6kku\u015fa\u011f\u0131 y\u0131lan\u0131n\u0131 izlerken g\u00f6ksel \u201cd\u00f6nen g\u00f6l\u201d\u00fcn k\u0131y\u0131lar\u0131n\u0131 resmeder. \u00c7\u0131k\u0131\u015f\u0131 ve dibi olmayan bu g\u00f6l\u00fcn y\u00fczeyinde renkli \u00e7ak\u0131l ta\u015flar\u0131yla birlikte \u201cd\u00f6nen k\u00fct\u00fcklerin\u201d olu\u015fturdu\u011fu ha\u00e7\u0131 anlat\u0131yor. Dikkatlice, k\u00fct\u00fcklerin u\u00e7lar\u0131na ata biner gibi …<\/p>\n","protected":false},"author":1,"featured_media":931,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"class_list":["post-930","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sembolizm"],"_links":{"self":[{"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/posts\/930","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/comments?post=930"}],"version-history":[{"count":2,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/posts\/930\/revisions"}],"predecessor-version":[{"id":3170,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/posts\/930\/revisions\/3170"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/media\/931"}],"wp:attachment":[{"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/media?parent=930"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/categories?post=930"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/tags?post=930"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}