{"id":1225,"date":"2015-06-23T18:45:35","date_gmt":"2015-06-23T15:45:35","guid":{"rendered":"http:\/\/kosmosmacerasi.com\/v1\/?p=1225"},"modified":"2019-11-01T01:28:55","modified_gmt":"2019-10-31T22:28:55","slug":"pan","status":"publish","type":"post","link":"https:\/\/kosmosmacerasi.com\/v1\/2015\/06\/pan\/","title":{"rendered":"PAN"},"content":{"rendered":"

 <\/p>\n

\"d8f2dc7caed4f121e6755703a851292d\"<\/a>Yunan mitolojisinde Pan (\u03a0\u03b1\u03bd), Hermes’in Arkadya’l\u0131 bir periden (Penelopeia, Sose veya Thymbris) do\u011fma o\u011flu olup \u00e7obanlar\u0131n, s\u00fcr\u00fclerin, avc\u0131l\u0131\u011f\u0131n, da\u011fl\u0131k ve tenha arazilerin, pastoral m\u00fczi\u011fin tanr\u0131s\u0131d\u0131r. Belden a\u015fa\u011f\u0131s\u0131 ke\u00e7i bi\u00e7imindedir, ayr\u0131ca ke\u00e7i gibi boynuzlar\u0131 ve kuyru\u011fu vard\u0131r. Kulaklar\u0131 sivri ve uzun, burnu ise k\u00fc\u00e7\u00fck ve s\u00fcrekli etraf\u0131n\u0131 koklar gibi kalk\u0131kt\u0131r. \u015earap tanr\u0131s\u0131 Dionysos’un e\u015flik\u00e7ilerinden biri olarak bahar, do\u011furganl\u0131k ve bereketle yak\u0131ndan ilgili bir tanr\u0131d\u0131r.<\/p>\n

Mitolojide perileri kovalay\u0131p durmas\u0131 ve \u0131ss\u0131z, bakir arazilerde dola\u015fanlar\u0131n kar\u015f\u0131s\u0131na birden \u00e7\u0131k\u0131p onlar\u0131 \u00fcrk\u00fctmesi ile me\u015fhurdur. “Panik”, yol a\u00e7t\u0131\u011f\u0131 bu \u00fcrk\u00fc nedeniyle, Pan’\u0131n ad\u0131ndan t\u00fcremi\u015f bir kelimedir. Mitolojide Pan’\u0131n \u00e2\u015f\u0131k olup kovalad\u0131\u011f\u0131 perilerin en \u00fcnl\u00fcleri, kam\u0131\u015fa d\u00f6n\u00fc\u015fen Syrinx, k\u00f6knara\/\u00e7ama d\u00f6n\u00fc\u015fen Pitys ve da\u011flar\u0131n yank\u0131s\u0131na d\u00f6n\u00fc\u015fen Ekho’dur.<\/p>\n

Memleketi Arkadya olan Pan’\u0131n sembol\u00fc, mitolojiye g\u00f6re mucidi say\u0131ld\u0131\u011f\u0131 pan fl\u00fct, kutsal hayvanlar\u0131 ke\u00e7i ve kaplumba\u011fa, kutsal bitkileri ise k\u00f6knar, \u00e7am ve su kam\u0131\u015f\u0131d\u0131r. Roma mitolojisinde Pan’un kar\u015f\u0131l\u0131\u011f\u0131, yine kendisi gibi ke\u00e7i bi\u00e7imli bir k\u0131r tanr\u0131s\u0131 olan Faunus veya Inuus’tur.<\/p>\n

Pan Kelimesinin K\u00f6keni:<\/strong><\/span><\/p>\n

Pan kelimesinin eski Grek dilinde “otlatmak, g\u00fctmek” anlamlar\u0131na gelen “paein” (\u03c0\u03ac\u03b5\u03b9\u03bd) fiilinden t\u00fcredi\u011fi san\u0131lmaktad\u0131r. Grekler, klasik \u00e7a\u011flar\u0131nda Pan ile “to pan” (b\u00fct\u00fcn, evren) aras\u0131nda bir ba\u011f kurarak Pan’\u0131n evrensel b\u00fct\u00fcnl\u00fc\u011f\u00fc sembolize eden bir tanr\u0131 oldu\u011funu spek\u00fcle etmi\u015flerse de bu g\u00f6r\u00fc\u015f g\u00fcn\u00fcm\u00fczde terk edilmi\u015ftir. Pan, Arkadyal\u0131 bir tanr\u0131 oldu\u011fu i\u00e7in, ad\u0131n\u0131n Arkadya’da kullan\u0131lm\u0131\u015f, eski bir kelimeden gelmi\u015f olmas\u0131 da olas\u0131d\u0131r.<\/p>\n

Pan’\u0131n Annesi Kimdir?<\/strong><\/span><\/p>\n

\"33e5dc09209020fa67e8320b12ac2a73\"<\/a>Pan’\u0131n babas\u0131, mitolojideki genel kabule g\u00f6re Hermes ise de hangi periden do\u011fdu\u011fu hayli kar\u0131\u015f\u0131k bir konudur. Pan’\u0131n annesi olmaya en yak\u0131n aday Penelope (Penelopeia) gibi duruyor. Penelope, kral Dryopos’un (Dryopos = “me\u015fe y\u00fczl\u00fc”) k\u0131zlar\u0131ndan biri ve Arkadya’daki Kyllene Da\u011f\u0131’nda ya\u015fayan bir orman perisidir. Arkadya’l\u0131 orman perisi Penelope, mitolojide Odysseus’un kar\u0131s\u0131, \u00fcnl\u00fc Penelope ile ayr\u0131ca Oita Da\u011f\u0131’n\u0131n perisi Dryope ile epey kar\u0131\u015ft\u0131r\u0131lm\u0131\u015ft\u0131r.<\/p>\n

Dryope, bir prensesken, kaplumba\u011fa k\u0131l\u0131\u011f\u0131na giren Apollon taraf\u0131ndan ba\u015ftan \u00e7\u0131kar\u0131ld\u0131ktan sonra, Orta Yunanistan’da bulunan Oita Da\u011f\u0131’ndaki bir kavak a\u011fac\u0131n\u0131n perisine d\u00f6n\u00fc\u015ft\u00fcr\u00fclm\u00fc\u015ft\u00fcr. Tarih\u00e7i Herodot’a g\u00f6re, Hermes, Penelope’yi ba\u015ftan \u00e7\u0131karmak i\u00e7in ko\u00e7 k\u0131l\u0131\u011f\u0131na girmi\u015ftir. Adaylardan, Apollodorus’un s\u00f6z\u00fcn\u00fc etti\u011fi Thymbris de Arkadya’l\u0131, fakat k\u00e2hin bir peridir. Thymbris, Oread m\u0131 (da\u011f perisi) yoksa Naiad m\u0131yd\u0131 (su perisi), oras\u0131 a\u00e7\u0131k de\u011fil. Thymbris i\u00e7in s\u00f6yledi\u011fimiz her \u015fey, \u00fc\u00e7\u00fcnc\u00fc aday Sose i\u00e7in de aynen ge\u00e7erlidir.<\/p>\n

Farkl\u0131 kaynaklarda, ismi Penelope, Thymbris ve Sose diye, farkl\u0131 farkl\u0131 verilse de bu \u00fc\u00e7 perinin ger\u00e7ekte ayn\u0131 tek ve ayn\u0131 peri olmas\u0131 muhtemeldir. Homerik bir \u015fiirde anlat\u0131ld\u0131\u011f\u0131na g\u00f6re, Pan, sonradan bildi\u011fimiz \u015fekliyle, yani boynuzlu, kuyruklu, ke\u00e7i ayakl\u0131, sakall\u0131, v\u00fccudu k\u0131ll\u0131, kalk\u0131k burunlu olarak do\u011fmu\u015ftur; yeti\u015fkin olarak do\u011fdu\u011fu i\u00e7in de b\u00fcy\u00fcme s\u00fcrecini ya\u015famas\u0131 gerekmemi\u015ftir.<\/p>\n

\u015eiirde, “Dryopos’un K\u0131z\u0131” diye ge\u00e7en annesi, Pan’\u0131 g\u00f6r\u00fcnce korkup ka\u00e7m\u0131\u015ft\u0131r. Fakat baba Hermes, yarat\u0131k o\u011flunu yan\u0131nda Olympos’a g\u00f6t\u00fcrm\u00fc\u015f, oradaki tanr\u0131lar da – \u00f6zellikle Dionysos – Pan’dan ho\u015fnut kalm\u0131\u015flard\u0131r. Pausanias’a g\u00f6re, Pan’\u0131 periler b\u00fcy\u00fctm\u00fc\u015ft\u00fcr.<\/p>\n

Pan’\u0131n Mitolojide Pan’lar (Panes) Olarak \u00c7o\u011fullanmas\u0131:<\/strong><\/span><\/p>\n

Pan’\u0131 “satyr”lerle kar\u0131\u015ft\u0131rmamak gerekir. Pan, bir satyr olmad\u0131\u011f\u0131 gibi, ke\u00e7i bi\u00e7imindeki g\u00f6r\u00fcnt\u00fcs\u00fc ile de, genellikle e\u015fek kuyruklu ve e\u015fek kulakl\u0131 tasvir edilen satyrlerden farkl\u0131d\u0131r. Buna kar\u015f\u0131n, mitolojide Panes (Pan’lar) ad\u0131 verilen yarat\u0131klar, Pan’la ayn\u0131 g\u00f6r\u00fcn\u00fcme sahip olduklar\u0131 gibi, onunla ayn\u0131 konularla (s\u00fcr\u00fcler, \u00e7obanlar, da\u011fl\u0131k arazideki k\u0131rsal ya\u015fam vb.) ilgilenirler.<\/p>\n

Tek farklar\u0131, olsa olsa, Pan gibi bir tanr\u0131 de\u011fil de, daha ziyade birer “daimon” (cin) say\u0131lmalar\u0131 olabilir. Bu da bize a\u00e7\u0131k\u00e7a Pan’\u0131n mitolojide zamanla \u00e7o\u011fullanm\u0131\u015f oldu\u011funu g\u00f6sterir. Yunan mitolojisinde Panes grubuna d\u00e2hil olup da adlar\u0131n\u0131 bildi\u011fimiz daimon’lar veya tanr\u0131lar \u015funlard\u0131r: Hermes ile Sose’nin o\u011flu, usta avc\u0131 ve k\u00e2hin Agreus.<\/p>\n

Mitolojide Pan’\u0131n diye bildi\u011fimiz hik\u00e2yelerin hemen hepsi kaynaklarda asl\u0131nda Nomios i\u00e7in anlat\u0131lm\u0131\u015ft\u0131r. Nomios ile Agreus, mitolojide Pan’\u0131n iki farkl\u0131 yan\u0131n\u0131n birbirinden (biri avc\u0131-k\u00e2hin, di\u011feri \u015fehvetli-m\u00fczisyen-\u00e7oban \u015feklinde) ayr\u0131\u015fmas\u0131na kar\u015f\u0131l\u0131k d\u00fc\u015fen tanr\u0131lar gibi g\u00f6r\u00fcnmektedirler. Greklerin \u0130talya’daki Sybaris kolonisine \u00f6zg\u00fc bir Pan olan Sybarios da Panes grubuna d\u00e2hil edilebilir.<\/p>\n

Pan K\u00fclt\u00fc ve Rit\u00fcelleri:<\/strong><\/span><\/p>\n

\"1200px-Olympia_-_Hera_Temple\"<\/a>Pan bir k\u0131r tanr\u0131s\u0131 oldu\u011fu i\u00e7in, Pan rit\u00fcelleri tap\u0131naklarda ya da tap\u0131nak benzeri yap\u0131larda de\u011fil de, do\u011fada, a\u00e7\u0131k alanlarda bulunan ma\u011fara benzeri yerlerde yap\u0131lm\u0131\u015ft\u0131r. Bunun tek istisnas\u0131, Heraia kentindeki Pan tap\u0131na\u011f\u0131d\u0131r. Pan k\u00fclt\u00fcn\u00fcn merkezi, Mora Yar\u0131madas\u0131’n\u0131n g\u00fcneyindeki, da\u011fl\u0131k Arkadya y\u00f6residir. K\u00fclt, zamanla buradan t\u00fcm Yunanistan’a yay\u0131lm\u0131\u015f, fakat Atina’da yayg\u0131nla\u015fmas\u0131 ancak Marathon Sava\u015f\u0131’ndan sonra ger\u00e7ekle\u015fmi\u015ftir.<\/p>\n

Arkadya’daki inan\u0131\u015fta Pan, \u00e7obanlar\u0131n, s\u00fcr\u00fclerin, otlaklar\u0131n, ormanlar\u0131n tanr\u0131s\u0131d\u0131r; ma\u011faralarda ya\u015far, bir da\u011f ke\u00e7isi gibi da\u011f tepelerinde, kayal\u0131klarda, koyaklarda gezinir, bazen perileri kovalar, bazen de onlarla dans eder. Pan, her g\u00fcn \u00f6\u011fle uykusuna yatar ve e\u011fer uykusunu b\u00f6len olursa \u00e7ok \u00f6fkelenir. Pastoral ya\u015fam\u0131n ve avc\u0131l\u0131\u011f\u0131n her alan\u0131nda var olan Pan, k\u0131r m\u00fczi\u011fi ile de yak\u0131ndan ilgilidir. Ustal\u0131kla kulland\u0131\u011f\u0131 \u00e7oban fl\u00fct\u00fcn\u00fc veya pan fl\u00fct\u00fc icat eden de mitolojiye g\u00f6re odur.<\/p>\n

Pan, s\u00fcr\u00fc ve \u00e7obanlar\u0131 g\u00f6zetmekle mesuld\u00fcr; \u00f6yle ki bu alandaki sorumlulu\u011fu ar\u0131lardan bal\u0131k\u00e7\u0131lara kadar uzan\u0131r. Ayr\u0131ca avc\u0131lar\u0131n at\u0131\u015flar\u0131nda isabet kaydedip kaydedemeyecekleri de avc\u0131 tanr\u0131\u00e7a Artemis’e av k\u00f6peklerini verdi\u011fi s\u00f6ylenen Pan’\u0131n bilece\u011fi bir i\u015ftir. Bu y\u00fczden Arkadyal\u0131 bir avc\u0131, e\u011fer karavana at\u0131\u015f yaparsa Pan heykelini k\u0131rba\u00e7larm\u0131\u015f. Pan’\u0131n sesi de g\u00f6r\u00fcn\u00fc\u015f\u00fc kadar korkutucudur, \u00f6yle ki Titanlar Sava\u015f\u0131 s\u0131ras\u0131nda sesiyle Titanlar\u0131 bile \u00fcrk\u00fctm\u00fc\u015ft\u00fcr.<\/p>\n

Iss\u0131z ve da\u011fl\u0131k bir alanda Pan’\u0131n insan\u0131n kar\u015f\u0131s\u0131na birden \u00e7\u0131k\u0131vermesi insanda \u00fcrk\u00fc (panik), hatta ter\u00f6r duygusu yarat\u0131r. 10. y\u00fczy\u0131ldan kalma bir Bizans s\u00f6zl\u00fc\u011f\u00fcnde, Arkadya’daki eski Pan rit\u00fcellerinde b\u00fcy\u00fck bir g\u00fcr\u00fclt\u00fcyle ba\u011fr\u0131\u015f\u0131p \u00e7a\u011fr\u0131\u015fan kad\u0131nlara “Panikoi deimati” (“Panik deh\u015fet i\u00e7indekiler”) dendi\u011fi belirtilmi\u015ftir. Pan’\u0131n bu g\u00fcr\u00fclt\u00fcc\u00fc, asi havas\u0131, onu Dionysos ve Kybele’nin e\u015flik\u00e7ilerinden biri olu\u015funa uygun d\u00fc\u015fen bir durumdur.<\/p>\n

Pan\u0131n k\u00e2hin yan\u0131 da vard\u0131r, \u00f6yle ki Apollodorus’a g\u00f6re, Pan, Apollon’u dahi bu konuda e\u011fitmi\u015ftir. Pan k\u00fclt\u00fcnde Pan’a inek, ko\u00e7, kuzu kurban edilir, ayr\u0131ca s\u00fct ve bal sunulur. Pan’\u0131n k\u00fclt s\u0131fatlar\u0131 genellikle tuhaf g\u00f6r\u00fcn\u00fc\u015f\u00fc (phorbas, sinoeis, haliplanktos vb.) veya kendisine tap\u0131n\u0131lan yerlerin adlar\u0131yla ili\u015fkilidir.<\/p>\n

Pan’a adanm\u0131\u015f mabet ve tap\u0131naklar\u0131n bulundu\u011fu yerler \u015funlard\u0131r: Attika (Atina, Oropos, Pystalleia, Marathon, Anaphlystos), Sikyonya (Sikyon \u015fehri ve Akroria Da\u011f\u0131), Argolis (Troizenos\/Troezene \u015fehri ve Erasinos\/Eresinus Nehri), Elis (Olympia), Arkadya (Heraia, Megalopolis, Tegea, Akakesion, Peraithenses, Aule, Nomia Da\u011f\u0131, Lykaios Da\u011f\u0131, Mainalos Da\u011f\u0131, Lampeia Da\u011f\u0131), Phokis (Parnassos Da\u011f\u0131), Thessalia (Homala).<\/p>\n

Pan ve \u015eeytan:<\/strong><\/span><\/p>\n

\"rs=w_600,h_600\"<\/a>Kimilerine g\u00f6re Pan, Hristiyanl\u0131ktan sonra \u015feytanla\u015ft\u0131r\u0131lm\u0131\u015f, demonize edilmi\u015ftir. Fakat bu teoriye dair elde ikna edici kan\u0131tlar bulunmad\u0131\u011f\u0131 gibi, Orta \u00c7a\u011f boyunca yap\u0131lm\u0131\u015f \u015feytan tasvirlerinin ke\u00e7iyle fazlaca bir benzerli\u011fi de yoktur. Orta \u00c7a\u011fda \u015feytan, genellikle boynuzlu, kanatl\u0131, pen\u00e7e gibi sivri t\u0131rnaklarla betimlenmi\u015ftir. Bu durumda, Pan ile \u015feytan aras\u0131nda do\u011frudan bir ba\u011flant\u0131 kurmak yerine, \u015feytan\u0131n ke\u00e7i ile olan ba\u011flant\u0131s\u0131n\u0131 ara\u015ft\u0131rmak daha yerinde olabilir.<\/p>\n

\u0130ngiliz antropolo\u011fu Margaret Murray, “Bat\u0131 Avrupa’da Cad\u0131 \u0130nan\u0131\u015f\u0131” (The Witch-Cult in Western Europe, 1921) adl\u0131 kitab\u0131nda “\u015feytan\u0131n, boynuzlar\u0131 aras\u0131nda bir mumla gezen, b\u00fcy\u00fck bir kara ke\u00e7i” k\u0131l\u0131\u011f\u0131nda dola\u015ft\u0131\u011f\u0131na inan\u0131ld\u0131\u011f\u0131n\u0131 yaz\u0131yor. Nitekim \u0130spanyol ressam Goya’n\u0131n \u00fcnl\u00fc “Cad\u0131lar G\u00fcn\u00fc” (1821-23) tablosunda b\u00f6yle bir fig\u00fcr resmedilmi\u015ftir. Bir de Eliphas L\u00e9vi’nin 1854 tarihli Baphomet \u00e7izimi var.<\/p>\n

Hristiyanl\u0131ktan sonra (hem de \u00e7ok sonra) \u015feytanla\u015ft\u0131r\u0131lm\u0131\u015f olan\u0131n Pan de\u011fil de ke\u00e7i olmas\u0131 bana daha muhtemel g\u00f6r\u00fcn\u00fcyor. Bunun kayna\u011f\u0131n\u0131n da Orta Do\u011fu’ya uzand\u0131\u011f\u0131 a\u00e7\u0131kt\u0131r san\u0131r\u0131m. \u00d6rne\u011fin, “g\u00fcnah ke\u00e7isi” deyiminin nereden geldi\u011fine bir bakal\u0131m: “Eski Ahit’deki Kefaret G\u00fcn\u00fc ayinlerinde Yahudi kavminin g\u00fcnahlar\u0131n\u0131 simgesel olarak bir erkek ke\u00e7iye y\u00fcklenirdi.<\/p>\n

Bu ke\u00e7i kurayla se\u00e7ilir ve Azazel adl\u0131 k\u00f6t\u00fc ruhu yat\u0131\u015ft\u0131rmak i\u00e7in Yahudi kavmini g\u00fcnahlar\u0131ndan ar\u0131nd\u0131rmak \u00fczere Kud\u00fcs d\u0131\u015f\u0131nda bir u\u00e7urumdan a\u015fa\u011f\u0131ya at\u0131l\u0131rd\u0131” (T\u00fcrk\u00e7e Wikipedia’n\u0131n “G\u00fcnah ke\u00e7isi” maddesi). Azazel veya Azazil’in \u015feytan\u0131n isimlerinden biri oldu\u011funu zaten biliyorsunuzdur. Herodot, Eski M\u0131s\u0131r’daki Mendes (Cedit, Djedet) \u015fehrinde ke\u00e7i bi\u00e7iminde tasvir edilen bir tanr\u0131ya (Banebdjedet) tap\u0131n\u0131ld\u0131\u011f\u0131n\u0131 naklediyor.<\/p>\n

Goya’n\u0131n tablosu ile birlikte, \u015feytan\u0131n ke\u00e7i \u015feklinde tasvirini pop\u00fclerle\u015ftiren imaj, L\u00e9vi’nin Baphomet’si idi ki bu \u00e7izim Tarot kartlar\u0131ndaki \u015feytan \u00e7iziminden ve Banebdjedet’den esinlenilmi\u015ftir. Pan, Bat\u0131 Avrupa’da, 18. ve 19. y\u00fczy\u0131l romantizm ak\u0131m\u0131 i\u00e7inde \u00f6nemli bir fig\u00fcr haline gelmi\u015ftir. Peter Pan, ismiyle Pan’a g\u00f6nderme yapar; Pan ayr\u0131ca \u00fcnl\u00fc “The piper at the gates of dawn” (\u015eafa\u011f\u0131n ge\u00e7itlerindeki kavalc\u0131) hik\u00e2yesinin esin kayna\u011f\u0131d\u0131r.<\/p>\n

(Ayr\u0131ca\u00a0‘\u015eeytan\u0131n Tarih\u00e7esi’<\/a><\/span> adl\u0131 yaz\u0131ya da bak\u0131n\u0131z. \u00c7.S)<\/p>\n

Kaynak:<\/strong> yunanmitolojisi.com<\/p>\n

Resim D\u00fczenleme:<\/strong> \u00c7i\u011fdem Sar\u0131g\u00fcl<\/p>\n","protected":false},"excerpt":{"rendered":"

  Yunan mitolojisinde Pan (\u03a0\u03b1\u03bd), Hermes’in Arkadya’l\u0131 bir periden (Penelopeia, Sose veya Thymbris) do\u011fma o\u011flu olup \u00e7obanlar\u0131n, s\u00fcr\u00fclerin, avc\u0131l\u0131\u011f\u0131n, da\u011fl\u0131k ve tenha arazilerin, pastoral m\u00fczi\u011fin tanr\u0131s\u0131d\u0131r. Belden a\u015fa\u011f\u0131s\u0131 ke\u00e7i bi\u00e7imindedir, ayr\u0131ca ke\u00e7i gibi boynuzlar\u0131 ve kuyru\u011fu vard\u0131r. Kulaklar\u0131 sivri ve uzun, burnu ise k\u00fc\u00e7\u00fck ve s\u00fcrekli etraf\u0131n\u0131 koklar gibi kalk\u0131kt\u0131r. \u015earap tanr\u0131s\u0131 Dionysos’un e\u015flik\u00e7ilerinden biri …<\/p>\n","protected":false},"author":1,"featured_media":1226,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-1225","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-efsanemitoloji"],"_links":{"self":[{"href":"https:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/posts\/1225","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/comments?post=1225"}],"version-history":[{"count":3,"href":"https:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/posts\/1225\/revisions"}],"predecessor-version":[{"id":4569,"href":"https:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/posts\/1225\/revisions\/4569"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/media\/1226"}],"wp:attachment":[{"href":"https:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/media?parent=1225"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/categories?post=1225"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/tags?post=1225"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}