{"id":616,"date":"2015-06-20T20:30:24","date_gmt":"2015-06-20T17:30:24","guid":{"rendered":"http:\/\/kosmosmacerasi.com\/v1\/?p=616"},"modified":"2015-06-20T20:32:24","modified_gmt":"2015-06-20T17:32:24","slug":"616","status":"publish","type":"post","link":"https:\/\/kosmosmacerasi.com\/v1\/2015\/06\/616\/","title":{"rendered":"S\u00dcMER S\u0130L\u0130ND\u0130R M\u00dcH\u00dcRLER\u0130"},"content":{"rendered":"

Bug\u00fcn art\u0131k b\u00fcy\u00fck \u00f6l\u00e7\u00fcde unutulmu\u015f olan silindir m\u00fch\u00fcrler, bir zamanlar g\u00f6rkemli bir k\u00fc\u00e7\u00fck sanat etkinli\u011fine sahne olmu\u015ftu. Ma\u011fara resimlerinden sonra, insan\u0131n kendini ifade bi\u00e7iminin \u00e7ok \u00f6zg\u00fcn bir evresini olu\u015fturan silindir m\u00fch\u00fcrler, inan\u0131lmaz bir bi\u00e7im ve i\u00e7erik zenginli\u011fi g\u00f6steriyorlar.<\/p>\n

Toplumun inan\u00e7lar\u0131 ve adetleri, insan-tanr\u0131, insan-insan, insan-do\u011fa ili\u015fkileri say\u0131s\u0131z kompozisyonlar i\u00e7inde bu k\u00fc\u00e7\u00fck, yuvarlak ta\u015flara kaz\u0131n\u0131yor ve sonra kile bas\u0131l\u0131yor. Hukuki belge haz\u0131rlanmas\u0131nda ya da kapal\u0131 bir \u00e7\u00f6mle\u011fin m\u00fch\u00fcrlenmesinde kullan\u0131ld\u0131klar\u0131 gibi, nazarl\u0131k olarak da tak\u0131l\u0131yorlar, ama her \u015feyden \u00f6nce \u00fcretenin ve sahibinin \u00f6v\u00fcnd\u00fckleri sanat objeleri bunlar.<\/p>\n

S\u00fcmerlerden \u00f6nce de ender \u00f6rnekleri bulunmu\u015f olmakla birlikte S\u00fcmerlerin elinde b\u00fcy\u00fck bir olgunlu\u011fa ula\u015fan silindir m\u00fch\u00fcrler, izleyen devirlerde Mezopotamya \u00e7evresine yay\u0131l\u0131p, ba\u015fka kavimlerce de benimseniyor ve 3000 y\u0131la yakla\u015fan \u00e7ok uzun bir s\u00fcre \u00fcretildikten sonra, M\u00d6 500\u2032lere gelindi\u011finde ortadan kalk\u0131yorlar. Bug\u00fcn d\u00fcnya m\u00fczelerinde 20 000 civar\u0131nda silindir m\u00fch\u00fcr bulundu\u011fu tahmin ediliyor.<\/p>\n

M\u00fch\u00fcr olarak g\u00f6rece yumu\u015fak ta\u015f ve mineraller (kire\u00e7 ta\u015f\u0131, siyah ta\u015f, lacivert ta\u015f\u0131 (Lapis Lazuli), hematit, steatit gibi) kullan\u0131l\u0131yordu. Silindirlerin boyutlar\u0131 de\u011fi\u015fken olmakla birlikte, genellikle silindir \u00e7aplar\u0131 0,8-2,5 cm. ve silindir y\u00fckseklikleri 1,2-5 cm. aras\u0131ndayd\u0131.<\/p>\n

Erken d\u00f6nemlerde ta\u015f\u0131 d\u00f6nd\u00fcrebilmek i\u00e7in bir tutamak yap\u0131l\u0131rken daha sonra ta\u015f\u0131n ortas\u0131n\u0131n delinmesi yayg\u0131nla\u015ft\u0131. Silindir deli\u011fine bir \u00e7ubuk ge\u00e7iriliyor ve bunun yard\u0131m\u0131yla silindir, yumu\u015fak kil y\u00fczey \u00fczerinde d\u00f6nd\u00fcr\u00fcl\u00fcyordu.<\/p>\n

Kil \u00fczerine \u00e7\u0131kart\u0131lmak istenen resim, silindir \u00fczerine ters olarak oyuluyordu. Silindir, kil \u00fczerinde d\u00f6nd\u00fcr\u00fcld\u00fc\u011f\u00fcnde silindirin \u00e7ukur k\u0131s\u0131mlar\u0131 kil \u00fczerindeki kabar\u0131kl\u0131\u011fa d\u00f6n\u00fc\u015f\u00fcyor, silindir y\u00fczeyinin y\u00fcksek b\u0131rak\u0131lm\u0131\u015f k\u0131sm\u0131 da kil \u00fczerindeki resim zeminini olu\u015fturuyordu.<\/p>\n

S\u00fcmerliler Kimlerdir?<\/strong><\/span><\/p>\n

Bundan 100 y\u0131l kadar \u00f6nce S\u00fcmerler diye bir halk\u0131n varl\u0131\u011f\u0131 bilinmiyordu. Bug\u00fcnse S\u00fcmerlere b\u00fct\u00fcn insanl\u0131\u011f\u0131n temel ta\u015f\u0131 olan ve benzersiz dehaya sahip bir halk g\u00f6z\u00fcyle bak\u0131l\u0131yor. S\u00fcmerlerin M\u00d6 IV. binin ortalar\u0131nda icat edip geli\u015ftirdikleri yaz\u0131, insanl\u0131k tarihinde b\u00fcy\u00fck bir ivmelenmeye neden oluyor.<\/p>\n

M\u00d6 III binin ortalar\u0131nda hangi karma\u015f\u0131kl\u0131ktaki olaylar\u0131n, duygular\u0131n ve d\u00fc\u015f\u00fcncelerin yaz\u0131ya d\u00f6k\u00fclm\u00fc\u015f oldu\u011funu g\u00f6rmek ger\u00e7ekten hayret verici. B\u00f6yle bir halk\u0131n k\u00f6keninin eldeki binlerce kil tablete ra\u011fmen h\u00e2l\u00e2 karanl\u0131kta olu\u015fu da \u00e7ok d\u00fc\u015f\u00fcnd\u00fcr\u00fcc\u00fc. Genel kan\u0131ya g\u00f6re S\u00fcmerler Mezopotamya\u2019ya d\u0131\u015far\u0131dan gelmi\u015flerdir.<\/p>\n

Kesin olan bir husus da S\u00fcmerce\u2019 nin Hint-Avrupa ya da Sami dil ailelerinden olmad\u0131\u011f\u0131. Baz\u0131 ipu\u00e7lar\u0131 S\u00fcmerlerin Mezopotamya\u2019n\u0131n do\u011fusundan (\u0130ndus-Pencap\u2019tan veya Asya i\u00e7lerinden) geldiklerine i\u015faret ediyor. S\u00fcmer tarihi \u00fc\u00e7 \u00f6nemli \u00e7a\u011fda ele al\u0131n\u0131yor ve her \u00e7a\u011f\u0131n kendine \u00f6zg\u00fc silindir m\u00fch\u00fcr \u00fcslubu var:<\/p>\n

1) Uruk \u00c7a\u011f\u0131 (M\u00d6 3100-2900)<\/p>\n

2) Cemdet-Nasr \u00c7a\u011f\u0131 (M\u00d6 2900-2600)<\/p>\n

3) Erken Hanedanlar \u00c7a\u011f\u0131 (M\u00d6 2600-2350)<\/p>\n

Erken Hanedanlar \u00c7a\u011f\u0131ndan sonra Mezopotamya\u2019ya 200 y\u0131l kadar s\u00fcreyle Akad imparatorlu\u011fu h\u00e2kim olmu\u015f. Daha sonra S\u00fcmerler tekrar sahneye \u00e7\u0131km\u0131\u015flar, fakat 100 y\u0131l kadar s\u00fcren bu son d\u00f6nemlerinden sonra art\u0131k bir daha d\u00f6nmemek \u00fczere tarih sahnesinden ayr\u0131lm\u0131\u015flar.<\/p>\n

Silindir m\u00fch\u00fcrler en parlak d\u00f6nemlerini Uruk \u00e7a\u011f\u0131nda ya\u015f\u0131yor. Cemdet-Nasr \u00e7a\u011f\u0131ysa silindir m\u00fch\u00fcrlerin en \u00e7ok \u00fcretildi\u011fi, konular\u0131n \u00e7e\u015fitlendi\u011fi, stilizasyonun artt\u0131\u011f\u0131 ve bir anlamda bu i\u015f kolunda sanki seri \u00fcretime ge\u00e7ilerek bir dejenerasyonun da ba\u015flad\u0131\u011f\u0131 d\u00f6nem. Erken Hanedanlar \u00e7a\u011f\u0131nda, biraz sonra \u00fczerinde duraca\u011f\u0131m\u0131z gibi, \u00f6nce yetkin bir dekoratif \u00fcsluba ula\u015f\u0131lm\u0131\u015f, sonra tekrar betimleyici formlara d\u00f6n\u00fclm\u00fc\u015f.<\/p>\n

S\u00fcmerler G\u00fcney Mezopotamya\u2019ya geldiklerinde, Basra K\u00f6rfezi\u2019nin hemen k\u0131y\u0131s\u0131ndaki El-Ubeyd \u015fehrinde yerle\u015fik bir toplum ve geli\u015fmi\u015f bir tar\u0131m k\u00fclt\u00fcr\u00fc vard\u0131. \u0130lk S\u00fcmer \u015fehir devletinin kuruldu\u011fu Uruk da ona \u00e7ok yak\u0131n ve onun biraz kuzeyindedir. S\u00fcmer mucizesinin bu iki halk\u0131n \u00f6nce \u00e7arp\u0131\u015fmas\u0131 ve sonra kayna\u015fmas\u0131ndan \u00e7\u0131km\u0131\u015f olmas\u0131 kuvvetli bir olas\u0131l\u0131k olarak d\u00fc\u015f\u00fcn\u00fclmeye de\u011fer.<\/p>\n

Tarihte bir\u00e7ok \u00f6rnekleri g\u00f6r\u00fclen bir olgu, \u201cfethedenin fethedilmesi\u201d olgusudur: Sava\u015f\u00e7\u0131 ve g\u00f6\u00e7ebe bir kavim geli\u015fmi\u015f bir uygarl\u0131k yaratm\u0131\u015f yerle\u015fik bir kavmi egemenli\u011fi alt\u0131na al\u0131r. Fakat zaman i\u00e7inde yerle\u015fik kavmin k\u00fclt\u00fcr\u00fc \u00f6ne \u00e7\u0131kmaya ba\u015flar ve fetheden kavim siyasi olarak de\u011filse bile k\u00fclt\u00fcrel olarak yenilir, ya da en iyi durumda bir sentez ortaya \u00e7\u0131kar.<\/p>\n

El-Ubeyd ve S\u00fcmer etkile\u015fiminden de parlak bir sentezin \u00e7\u0131kt\u0131\u011f\u0131 anla\u015f\u0131l\u0131yor. S\u00fcmer inan\u0131\u015f\u0131n\u0131n \u00e7ok \u00f6nemli bir y\u00f6n\u00fc, bu sentezin varl\u0131\u011f\u0131n\u0131 destekler nitelikte. Avc\u0131 ve g\u00f6\u00e7ebe kavimlerin tanr\u0131lar\u0131, genellikle do\u011fa kuvvetleriyle ili\u015fkilendirilen daha \u00e7ok g\u00f6ksel nitelikli, erkek a\u011f\u0131rl\u0131kl\u0131 tanr\u0131lard\u0131r. Yerle\u015fik ilk b\u00fcy\u00fck tar\u0131m topluluklar\u0131ndaysa yerel nitelikli, kad\u0131n a\u011f\u0131rl\u0131kl\u0131 tanr\u0131lar g\u00f6r\u00fcyoruz.<\/p>\n

\u00d6rne\u011fin S\u00fcmerlerden \u00e7ok daha eskilerde ya\u015fam\u0131\u015f olan ve d\u00fcnyan\u0131n ilk \u00f6nemli yerle\u015fim b\u00f6lgelerinden \u00c7atalh\u00f6y\u00fck\u2019te yerle\u015fmi\u015f halk\u0131n tart\u0131\u015fmas\u0131z bir Ana Tanr\u0131\u00e7a (Kibele) k\u00fclt\u00fc vard\u0131. Yerle\u015fik toplumun kad\u0131n tanr\u0131ya y\u00f6nelmesi, topra\u011f\u0131n ve kad\u0131n\u0131n niteliklerinin (\u00f6rne\u011fin, bereket kavram\u0131 \u00fczerinden) daha ilintili g\u00f6r\u00fclm\u00fc\u015f olmas\u0131yla a\u00e7\u0131klanabilir.<\/p>\n

El-Ubeyd\u2019de de bir kad\u0131n tanr\u0131 k\u00fclt\u00fcn\u00fcn ya\u015fand\u0131\u011f\u0131na \u00e7ok olas\u0131 g\u00f6z\u00fcyle bak\u0131l\u0131yor. S\u00fcmer tanr\u0131lar\u0131n\u0131nsa erkek a\u011f\u0131rl\u0131kl\u0131 olmas\u0131n\u0131 bekliyoruz. Ger\u00e7i S\u00fcmerlerde zaman i\u00e7inde y\u00fczlerce (hatta binlerce) tanr\u0131 ortaya \u00e7\u0131km\u0131\u015ft\u0131r, bunlar\u0131n i\u00e7inde kad\u0131n\u0131 da erke\u011fi de hatta bu tanr\u0131lar\u0131n d\u0131\u015f\u0131nda herkesin \u015fahsi tanr\u0131lar\u0131 da vard\u0131r. Ancak b\u00fct\u00fcn bu sistemin ba\u015f\u0131nda ve erken S\u00fcmer efsanesinin ruhunda yer alan kad\u0131n tanr\u0131 \u0130nanna ile \u00c7oban-Kral Dumuzi\u2019dir.<\/p>\n

El-Ubeyd\u2019lilerin S\u00fcmerlere ana tanr\u0131\u00e7alar\u0131 \u0130nanna\u2019y\u0131 empoze ettikleri d\u00fc\u015f\u00fcn\u00fclebilir. Dumuzi ise y\u00f6reye yeni gelen avc\u0131-g\u00f6\u00e7ebe-\u00e7oban S\u00fcmerleri temsil etmektedir.<\/p>\n

Bu ikili sistemde bask\u0131n unsur \u0130nanna\u2019d\u0131r. Dumuzi ise \u00e7obanl\u0131ktan krall\u0131\u011fa, krall\u0131ktan da tanr\u0131l\u0131\u011fa y\u00fckselmek durumunda olan ve bunu bir bak\u0131ma \u0130nanna\u2019n\u0131n kendisini e\u015f olarak se\u00e7mesiyle sa\u011flayabilen ikinci unsurdur.<\/p>\n

Dumuzi\u2019nin ikincili\u011fi, \u0130nanna hi\u00e7 \u00f6lmezken, onun sonbaharda \u00f6l\u00fcp, alt\u0131 ay yer alt\u0131nda kal\u0131p ilkbaharda \u0130nanna\u2019n\u0131n yard\u0131m\u0131yla yery\u00fcz\u00fcne gelmesinden de a\u00e7\u0131k olarak bellidir. Fakat S\u00fcmerler, bu a\u00e7\u0131k ikincilikten, i\u015flevsel bir birincilik \u00e7\u0131karmak istercesine, daha \u00f6nce ana tanr\u0131\u00e7aya mal edilen bereketi, Dumuzi\u2019ye aktarm\u0131\u015flar, hayat\u0131n ye\u015fermesini onunla \u00f6zde\u015fle\u015ftirmi\u015fler, hayat\u0131n kendisinden \u00e7ok hayattaki d\u00f6ng\u00fcy\u00fc as\u0131l felsefeleri haline getirmi\u015flerdir.<\/p>\n

S\u00fcmerlerin El-Ubeyd\u2019de olas\u0131l\u0131kla haz\u0131r bulduklar\u0131 silindir m\u00fch\u00fcrlere sahip \u00e7\u0131k\u0131p geli\u015ftirmelerinin nedeni, m\u00fch\u00fcrlerin d\u00f6ng\u00fcsel yap\u0131s\u0131 ve d\u00f6ng\u00fcn\u00fcn yaratt\u0131\u011f\u0131 resimler silsilesi ile hayat\u0131n d\u00f6ng\u00fcs\u00fc ve o d\u00f6ng\u00fcn\u00fcn bereketi aras\u0131nda b\u00fcy\u00fcl\u00fc bir ilgi hissetmi\u015f olmalar\u0131yla a\u00e7\u0131klanabilir.<\/p>\n

Silindir m\u00fch\u00fcrlerin Mezopotamya\u2019da uzun s\u00fcre ya\u015famas\u0131, S\u00fcmerlerin bu hayat d\u00f6ng\u00fcs\u00fc felsefesinin ayr\u0131nt\u0131da de\u011fi\u015fikli\u011fe u\u011frasa da, ana fikir a\u00e7\u0131s\u0131ndan bu y\u00f6relerde S\u00fcmerlerden sonra da uzun s\u00fcre ya\u015famas\u0131yla ilgili olabilir.<\/p>\n

\"11054446_1553325898274613_1417994605679634779_n\"<\/a>Berlin\u2019deki Vorderasiatisches Museum\u2019un (Berlin Yak\u0131n Do\u011fu M\u00fczesi) Vorderasiatische Rollsiegel (Yak\u0131n Do\u011fu Silindir M\u00fch\u00fcrler) Koleksiyonu\u2019nda Akkad D\u00f6nemi\u2019ne (M.\u00d6.2360-2180) ait \u00a0\u201cVA-243\u201d numaral\u0131 bir silindir m\u00fch\u00fcr bulunmaktad\u0131r (Resim 1). M\u00fch\u00fcrde, taht\u0131nda oturan ve ba\u015fl\u0131\u011f\u0131nda y\u0131lan bulunan tar\u0131mla ilgili bir tanr\u0131n\u0131n ayakta duran iki insan ya da tanr\u0131ya bir saban vermesi betimlenmektedir. Tahttaki tanr\u0131n\u0131n arkas\u0131nda bir fidan g\u00f6ze \u00e7arpmaktad\u0131r. Ayaktaki fig\u00fcrlerin aras\u0131nda bir han\u00e7er ve bir balta se\u00e7ilmektedir. Sahnenin her iki taraf\u0131nda da da\u011f ke\u00e7ileri vard\u0131r.<\/p>\n

\"603842_1553325954941274_3074239448231609047_n\"<\/a>(Resim 2) M\u00fch\u00fcrdeki S\u00fcmero-Akkad karakterli yaz\u0131n\u0131n \u00e7evirisi ise \u015fu \u015fekildedir.<\/p>\n

Sat\u0131r-1:<\/strong><\/span>dub-si-ga: \u00d6zel isim<\/p>\n

Sat\u0131r-2:<\/strong><\/span> ili-il-la-at: \u00d6zel isim-M\u00fchr\u00fcn sahibi<\/p>\n

Sat\u0131r-3:<\/strong><\/span> ir-su: Sizin hizmetinizdedir.<\/p>\n

M\u00fch\u00fcrde yazanlar\u0131 toparlarsak \u015fu ifade ortaya \u00e7\u0131kar: \u201cDubsiga, Ili-illat\u2019\u0131n hizmetindedir\/kuludur.\u201d<\/p>\n

\"11043122_1553325994941270_4064564827224394932_n\"<\/a><\/p>\n

Bu haliyle olduk\u00e7a s\u0131radan olan bu m\u00fchr\u00fc \u00e7ok tart\u0131\u015f\u0131l\u0131r ve \u00fcnl\u00fc yapan bir ayr\u0131nt\u0131 vard\u0131r oysa.<\/p>\n

(Resim 3) M\u00fch\u00fcr bask\u0131s\u0131n\u0131n sol \u00fcst k\u00f6\u015fesine bak\u0131ld\u0131\u011f\u0131nda g\u00f6k cisimleri betimlemeleri g\u00f6r\u00fclmektedir: Ortadaki g\u00fcne\u015fin etraf\u0131nda d\u00f6nen gezegenler. Copernicus\u2019un, heliosentrik (g\u00fcne\u015f merkezli) evren modelinden 3.900, g\u00fcn\u00fcm\u00fczden 4.300 y\u0131l \u00f6nce hem de\u2026<\/p>\n

 <\/p>\n

 <\/p>\n

    \n
  1. D\u00fcnya<\/li>\n
  2. Ay \u2013 Nanna (S\u00fcmer) \u2013 Sin (Akkad\/Babil)<\/li>\n
  3. Pluton<\/li>\n
  4. Merk\u00fcr \u2013 Enki (S\u00fcmer) \u2013 Nabu (Akkad\/Babil)<\/li>\n
  5. Mars \u2013 Gugulanna (S\u00fcmer) \u2013 Nergal (Akkad\/Babil)<\/li>\n
  6. Nibiru<\/li>\n
  7. J\u00fcpiter \u2013 Enlil (S\u00fcmer) \u2013 Marduk (Akkad\/Babil)<\/li>\n
  8. Sat\u00fcrn \u2013 Ninurta (S\u00fcmer) \u2013 Ninurta (Akkad\/Babil)<\/li>\n
  9. Uran\u00fcs<\/li>\n
  10. Nept\u00fcn<\/li>\n
  11. Ven\u00fcs \u2013 \u0130nanna (S\u00fcmer) \u2013 \u0130\u0161tar (Akkad\/Babil)<\/li>\n
  12. G\u00fcne\u015f \u2013 Utu (S\u00fcmer) \u2013 \u0160ama\u0161 (Akkad\/Babil)<\/li>\n<\/ol>\n

    S\u00fcmerler Ay ve G\u00fcne\u015f\u2019i de gezegen kabul ettiklerinden 12 gezegenli bir evren modeli olu\u015fturmu\u015flard\u0131. Ve bu sistemde di\u011fer gezegenler g\u00fcne\u015fin etraf\u0131nda d\u00f6n\u00fcyorlard\u0131. Akkad, Babil ve Yunan uygarl\u0131klar\u0131 bu kozmoloji gelene\u011fini s\u00fcrd\u00fcrd\u00fcler. G\u00f6\u011fe bakarak onu anlamaya ve form\u00fcle etmeye \u00e7al\u0131\u015ft\u0131lar. Ta ki tek tanr\u0131l\u0131 despotizm gelene kadar. \u00c7ok tanr\u0131l\u0131 d\u00fcnyan\u0131n ho\u015fg\u00f6r\u00fcl\u00fc ve zengin d\u00fcnyas\u0131 yerini \u201ctek\u201d in fa\u015fizmine b\u0131rakm\u0131\u015ft\u0131.<\/p>\n

    \"11041753_1553326054941264_6200421416375162883_n\"<\/a>(Resim 4) Devlet dini olan Hristiyanl\u0131\u011f\u0131n ilk i\u015fi, do\u011fay\u0131 anlamaya y\u00f6nelmi\u015f kadim bilgiyi yok etmek oldu. Binlerce antik el yazmas\u0131 yak\u0131ld\u0131, k\u00fct\u00fcphaneler yok edildi, filozoflar, bilim insanlar\u0131 sapk\u0131nl\u0131k su\u00e7lamas\u0131yla \u00f6ld\u00fcr\u00fcld\u00fc.<\/p>\n

    Bu barbarl\u0131\u011f\u0131n en \u00fcnl\u00fc \u00f6rne\u011fi, Yunan filozof, matematik\u00e7i ve astronom \u0130skenderiyeli Hypatia\u2019n\u0131n, \u201cdinsiz ve \u015feytan\u201d olarak g\u00f6r\u00fcl\u00fcp Cyril\u2019in liderli\u011findeki Hristiyanlar taraf\u0131ndan ta\u015flanarak \u00f6ld\u00fcr\u00fclmesidir.<\/p>\n

    Evet, art\u0131k d\u00fcnya d\u00fczd\u00fc\u2026 K\u0131p\u0131rdamadan \u00f6ylece duruyor ve g\u00fcne\u015f onun etraf\u0131nda d\u00f6n\u00fcyordu. Yeni din bunu emrediyordu.<\/p>\n

    Ve insan y\u00fczlerce y\u0131l sonra uzaya \u00e7\u0131k\u0131p aya gittikten sonra bu utanmazca yalan\u0131 itiraf edebildi Vatikan.<\/p>\n

    31 Ekim 1992\u2019de, daha hala baz\u0131 dangalak kardinaller \u015ferh koysa da, Galileo Galilei\u2019yi affetti! Yani d\u00fcnyan\u0131n d\u00f6nd\u00fc\u011f\u00fcn\u00fc kabul etti. Tevecc\u00fch\u00a0 buyurdu.<\/p>\n

    \u00d6zg\u00fcr Kemal<\/p>\n

     <\/p>\n

     <\/p>\n","protected":false},"excerpt":{"rendered":"

    Bug\u00fcn art\u0131k b\u00fcy\u00fck \u00f6l\u00e7\u00fcde unutulmu\u015f olan silindir m\u00fch\u00fcrler, bir zamanlar g\u00f6rkemli bir k\u00fc\u00e7\u00fck sanat etkinli\u011fine sahne olmu\u015ftu. Ma\u011fara resimlerinden sonra, insan\u0131n kendini ifade bi\u00e7iminin \u00e7ok \u00f6zg\u00fcn bir evresini olu\u015fturan silindir m\u00fch\u00fcrler, inan\u0131lmaz bir bi\u00e7im ve i\u00e7erik zenginli\u011fi g\u00f6steriyorlar. Toplumun inan\u00e7lar\u0131 ve adetleri, insan-tanr\u0131, insan-insan, insan-do\u011fa ili\u015fkileri say\u0131s\u0131z kompozisyonlar i\u00e7inde bu k\u00fc\u00e7\u00fck, yuvarlak ta\u015flara kaz\u0131n\u0131yor ve …<\/p>\n","protected":false},"author":1,"featured_media":619,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-616","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gizemli-arkeolojik-tarih"],"_links":{"self":[{"href":"https:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/posts\/616","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/comments?post=616"}],"version-history":[{"count":4,"href":"https:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/posts\/616\/revisions"}],"predecessor-version":[{"id":626,"href":"https:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/posts\/616\/revisions\/626"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/media\/619"}],"wp:attachment":[{"href":"https:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/media?parent=616"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/categories?post=616"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kosmosmacerasi.com\/v1\/wp-json\/wp\/v2\/tags?post=616"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}